BLOG 50: May 20, 1999—I was angry at my father inside my dream of almost 20 years ago. In that nighttime journey, I had discovered sculptures of Italy’s Renai
ssance artist Michelangelo below a pile of ice in a freezer. I was angry at my father for directing conversations toward rational conclusions that had nothing to do with the emotions present in the room. Discovering Michelangelo sculptures below frozen items in my dream seemed akin to discovering the magic, beauty, and life that lay below the frozen emotions of that time.
Back then, I carried a truth that lay smothered below a stoic, cold family dynamic where emotions were avoided at all costs. My truth was this: I loved my father so 
very much, and I also felt immense hurt and pain (including physical pain) in not being able to share this love with him or feel it from him, or from others in my family. We had learned to be tough and independent, and strong women (I am one of three sisters, and my mother), but we had never learned to express love and that aliveness, which, for me was who I really was and longed to be in this world. I was this sculpture at the bottom of a pile of ice, longing to be carved out into the magical being I was.
Today, the person I was, and the family I once had, has become—with time having carved magic out of stone—a Michelangelo sculpture, so alive, and life-affirming. Just last week, I was with my family—my father, my three sisters, my mother, and my father’s two sisters, Ingrid and Sisi, from Argentina—because my father has been very ill. We all came together to be with him as he lay on a hospital bed in the living room, too weak to stand or take care of himself anymore.
The days together were long, but rich, holding my father’s hands, feeding him, massaging him, and helping with the most mundane of tasks. With his two sisters, he sang songs of their childhood years in Argentina, and when it came to the Argentinean National Anthem, my father’s voice filled the room with a passion I had never heard before. For those moments, all of my father’s weakness and slurred speech left him inside a celebration of the life he had lived and shared. 
Unlike earlier times in his life, he reached out to each of us, shared his love, his gratitude, and pulled us toward him to receive and give love (there were other more challenging moments too!). And at one point, he asked my mother to lie on the narrow, hospital bed with him and they held each other. They made up for words and emotions unspoken during so many years past.
Then, my father asked us all to sit in a circle around him, as we did our best to prop him up at the side of his bed. He told us to ask him anything we needed to ask him. He would answer honestly with a clear “yes” or “no”, he said. There we were, five grown women with my father, trying to ask him questions that he felt were senseless (because we already knew the answers). What he wanted, it seemed, was to clear the air, for us to express any emotions or concerns we carried that needed to be spoken so he could go in peace knowing we were okay.
It’s as if my father wanted to melt any remaining ice covering these magical Michelangelo sculptures we had all become, and that he too had become. All the pain, all the years, all the wrestling that my father and I, and all of us had done, to become the beautiful God-creations and works of art we now were, had all been worth it. We were finally here to love and live so deeply together, present to life and death, and to each other, during this final leg of my father’s journey on earth.
*My novel Child of Duende: A Journey of the Spirit is about this journey of coming home to the magical creations we are. Check it out on Amazon. It’s currently at a Promotional Rate, but this ends soon: https://www.amazon.com/Child-Duende-Journey-Michelle-Adam/dp/099724710X/ref=sr_1_1?ie=UTF8&qid=1474233011&sr=8-1&keywords=child+of+duende or at www.michelleadam.net
ouse of lost people in Berkeley, California, I feel. I feel it all. And while it hurts, there’s something liberating in knowing I can feel every bit of the pain and love that’s possible in this world. It’s as if this brokenness allows me to feel the world again—to feel it all.
Michelle Adam 