Sharing Duende in Buenos Aires

5/21/2017: Soon I will be in Buenos Aires, my father’s childhood city, and one in which I will share my novel, Child of Duende: A Journey of the Spirit, at Kel Ediciones in Belgrano, Buenos Aires, on May 26, 5:30p.m. What an honor! I will take time off of my regular blog for a few weeks, but please share news of this event with friends in Buenos Aires who may be inspired to share a moment with my novel, Flamenco guitar, and DUENDE, a word brought alive in this port city by a great Spanish Poet Federico GarciaLorca more than 80 years ago. 

Here’s a little excerpt of my talk to Flamenco Guitar: 

“It was October of 1933 when a large Italian Passenger Liner landed here, in the Port of Buenos Aires. That day, one of the most important Generation of ’27 Spanish poets—Federico Garcia Lorca—arrived in Buenos Aires, where he fell in love with its streets and people and remained for six months…much longer than he had planned.

Federico Garcia Lorca was no ordinary poet. He was one from Granada, from Southern Spain, where the Gypsy culture, Flamenco dance and music, and the spirit of the land would forever claim him—that is, until he was killed by Spain’s fascists in 1936.  Lorca knew, unlike many artists, what it meant to truly be creative, to instantaneously confront both the present and death itself rather than to be tied to the musings of the past.”

So when he came to Buenos Aires to premiere his play, Blood Wedding, he also offered an unforgettable speech, The Play and Theory of the Duende, that would forever leave its imprint on the world… and, years later, would inspire my novel, Child of Duende: A Journey of the Spirit, which I bring to you today. I come here from New Mexico to walk these streets that Garcia Lorca once walked, and that my father, Alberto Adam, also traversed as an adult and child growing up in Buenos Aires. I honor both men today, as I bring to you my story, my novel, Child of Duende: A Journey of the Spirit, and “duende,” this essence that Lorca carried with him from Spain 84 years ago.”  

In Lorca’s speech, he said, “In Andalucía (Southern Spain), the people constantly talk of the duende,” explaining that all that has black sounds has duende, since these black sounds are the mystery, the roots fastened in the mire that we all know and all ignore, the fertile silt that gives us the very substance of art. He went on to describe a guitarist as saying that “The duende is not in the throat: the duende surges up, inside, from the soles of the feet.” Meaning, it’s not a question of skill, but of a style that’s truly alive: meaning, it’s in the veins: meaning, it’s of the most ancient culture of immediate creation.” 

“Duende”, Lorca added, is a “mysterious force that everyone3f52c657f037f47efd369cc5dd7af233.jpg feels and no philosopher has explained” that is “in sum, the spirit of the earth.”… the spirit of the earth, which, in moving through every limb of our being, unencumbered and raw, produces an almost religious enthusiasm.  It’s that spirit that an artist embodies when singing so profoundly and truthfully, with clear channel, that we are left with goose bumps, and sighs. Unlike the muse and angel, this spirit must come from within, and must be “awakened in the remotest mansions of the blood,” and ONLY once having done so, then, “announces the constant baptism of newly created things.”

The duende is what we hear in the llanto, the cry out, el cante hondo, the deep song of Flamenco, which has remained with us during our brief, but intense human history. Just travel along the threads of an ancient Gypsy culture to experience this. These nomadic, song-wielding, magic-making people, who arrived in Spain from India, still carry the essence of song they brought with them from the orient, of the Ragas, of indigenous chanting, a kind of prayer that keeps that sweet dialogue between the unseen and seen world alive, honoring the holy and sacred part of being human.”

This song of Gypsy wove its fabric into Spain’s Arabic, Jewish, and Catholic roots—even as Fernando and Isabel of Spain set out to explore the Americas and enacted the Inquisition, which kicked out, killed, and tortured Jews, Arab, Gypsies, and non-Christians in Spain. Many Gypsies fled to the mountains, and it was here that they kept their traditions alive. Maybe—as with the negro spirituals, the Blues, and Native American chants, and so many deeply soulful songs—it is this very persecution, these dark times, that help create this ancient sound of longing that rises more fiercely and fully from the depths of our being than ever before, and reminds of our most profound connections.”

Can you hear the depth of this LLANTO, this “song of the earth,” this most life-affirming voice of the soul that never quits? Maybe if you listen closely, you can, as you also hear the poet’s voice… carrying a plaintive solitary cry belonging to an Andalusian Soul …of Gypsy, Arab and Jew…of indigenous roots untangling, struggling to surface to engage in the most challenging, yet rich work of our life—that of fully inhabiting ourselves.”

Please join me this May 26 at 5:30p.m. in Buenos Aires (and if you can’t make it, please let friends who can come know) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top carrier of books in English in Buenos Aires. 

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

 

59. Springtime Without You

BLOG 59—March, 2000: I’m sharing a poem from many springs ago, as I prepare for this spring’s surprises…a grieving of the old…a rebirth:

Spring locks her jaws into the hard earth,

a pitter patter of rain seeking refuge inside.

The windows shut, now open,

the moon peers through rows of empty branches,

Seeing something I don’t—

tulips growing light green stems below the soil,

pink horizons yet to appear over cool blue oceans

transformed by summer lights.

The wolf is a shadow that lingers three steps behind.

I turn to witness that all along I’ve not been alone.

I turn inward, see myself in her shadow.

Sleep in the shadow, rise in the light.

I have seen your love somewhere in this winter night.

Rise with the daffodil, yellow mind,

Springing days of sweet herein,

I see her—that is, springtime—coming.

In about a week, I return to Buenos Aires, to be in mye99b26d974466ec2594813bb5fb281e7 father’s apartment, to let the memories of our times together seep through the walls, and along the streets of this port city. It’s springtime here again—that time of the year I used to spend with my father in Argentina, his childhood home. It was two springtime’s ago I was there, and, I think, two years before that—as the days lengthened here in the north, but inside the shadow of spring, prepared for winter in the southern hemisphere.

I still remember the first time I spent with my father, just he and I, in his beloved Buenos Aires. He had never visited the port city in May, because he would normally be with his Portuguese friends playing golf then.  He had only come to Argentina because I had requested we share time together in his favorite city.

I still remember now, how, as we traipsed around Buenos Aires, he’d often tell me that they missed him there in Portugal, and that one friend had said—and I paraphrase—“The spring flowers don’t bloom the same without you here.”

He repeated those same words back to me, after I had returned to the U.S.. I was driving through the big open lands here in the desert, on my way to a Lakota Sundance, when he called and said, “The spring flowers don’t bloom the same without you here.”

This morning, as I sat still with the reality that I will soon be in Argentina again, in my father’s apartment, but without him, I began to cry. He left us several months back, but it hadn’t really hit me fully until now. I 9629058698ceb27fa8bf177e5d8b15c8.jpghad been with him for many weeks, until the end, in my parent’s home in New Jersey, but I hadn’t slowed down enough to let the grief catch up with me. Maybe I’ve been holding the grief in my lungs, which have been congested for weeks now, and am finally feeling the reality of my father’s loss.

As I reflect on the fact that I’ll be back in Argentina soon, but without my father there, I feel his words echo in my mind. “The spring flowers don’t bloom the same without you here.” But this time, it’s me saying these words to him, as I feel the love that he shared with me and so many others close to him in Buenos Aires.

“Spring time won’t be the same without you there, papá, but I’ll feel your love wherever I go.”   

If you are in Buenos Aires on May 26 at 5:30p.m., please join me (and if you can’t make it, please tell friends who can come) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top carrier of books in English in Buenos Aires. (See my website’s events page for more information: http://www.michelleadam.net/events)

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

Open Letter to My Father: (pause from regular blog)

It’s been more than two months since you left, your last breath a cry of life and then you were gone. When I’m still enough to feel and listen, I sense you here with me. In several weeks, though, I imagine I’ll feel your presence even more. That’s when my mother, sisters, and I will be traveling to Buenos Aires, Argentina, staying inside your apartment tucked away inside the old quarters of your city. It once lay above the empanada shop that smelled of oven-baked dough wafting up toward your place, and then the hairdresser’s where I replaced, with decent hair color, that horrific henna hair color that made the top of my head look like a carrot—and which you kept touching to make fun of.

If I remember correctly, the last time I was with you in your beloved Argentina was two spring times ago, before you got too sick to travel. We planned another trip after that, but it wasn’t in the cards. Instead, chemotherapy was. But I still remember how you asked me, quite last minute, to join you in Argentina for that last spring time together. At first I declined, since I had made alternative plans, but then, with your persistence, and lots of maneuvering, we shared our last month in your beloved country together.

That was the time my upper back was in immense pain and you couldn’t walk much more than a block. We were quite the team, eternally riding taxis through Buenos Aires, with you incessantly IMG_1174talking to the drivers and everyone else we met. “Isn’t this city the best city in the world,” you’d tell the taxi driver. You’d sit there in the back with your little black bag you carried everywhere, beaming with joy for your childhood homeland you had returned to.

One of our last taxi rides together was to the fish vendor. Do you remember? Even though walking was a struggle, you insisted we stroll through an open market where you greeted everyone as if you had been there a hundred times. Then we went to your fish vendor to pick up a large, frozen octopus, which you insisted on cooking because your friends considered it one of their favorite delicacies.

We celebrated our last supper in the apartment with your friends, Loli and Herbert, and with your sisters, Ingrid and Dietlinde. What a glorious night. You had worked so hard cooking that octopus, and by the time we sat down to eat, and I dedicated a poem and song to you—and to the brief time we all had to celebrate life together—it seemed all worth it.

While you faced your challenges with age—Parkinson’s, Leukemia, and then Melanoma—there was something special about those final years together. You were no longer the tough, distant father I had known you to be, and your challengIMG_1165es became the gift that opened you to love. I adored how you talked to everyone you met; how you let things go that weren’t important; how you didn’t care about things being perfect anymore. What had become perfect was your giving heart, memorable dinners with precious friends of your childhood, and your unbridled passion for small things (like that ice cream you loved at Adan Restaurant—the one topped with champagne and lemon!).

Maybe when mom, my sisters, and I go back to Buenos Aires later this month, we’ll honor you with a scoop of that fine ice cream; or by taking a trip by taxi; or by greeting the man at the deli across the street, and all the others you used to speak to. What I do know is that family and friends will come together with you, celebrating your life with an abundance of toasts. I’ll make a special Last Supper in your apartment to honor you as well (I’ll even take a picture of it, and make sure you’re in it!), and I’ll do a book reading from my novel Child of Duende with a local Flamenco guitarist in your neighborhood.

It will be the first time that I perform anything outside of this country, let alone in Argentina—and it may be the last there. As much as I’m doing it for myself, when I share the story of Duende to Flamenco guitar, it will be for you as well. You’ll be able to see me there, in your favorite city in the world, en tu Buenos Aires Querido, sharing, as you did, Argentinian Eventmy passion for living this moment, this breath, this spirit of life that is only given to us for this brief moment. I hope you can come, that you can see me, that you can see and feel all of us honoring you where your heart had learned to open so big in your last years of your life, at home, in your Beloved Querido Buenos Aires.

Please join me this May 26 at 5:30p.m. in Buenos Aires (and if you can’t make it, please let friends who can come know) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top 

carrier of books in English in Buenos Aires. 

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

Celebrating Duende at Barnes and Noble!

Jan. 25, 2017: Listen to that song, that voice, a call out that comes from the deepest, most moving place of our mysterious soul. Can you really hear it…this llanto, this cry out that has never left us…not during wars, dictatorships, and horrific terror inside our brief, but intense human history?  Can you hear the depth of this LLANTO, this “song of the earth,” this most life-affirming voice of the soul that never quits, that is here today, in this moment, during this unique time of friction and immense change in our human history?

This Saturday, at Barnes and Noble, I will offer a taste of this Llanto, this cry out, this deep soul’s song and melody that is tied to the story and birthplace of my novel, Child of Duende: A Journey of the Spirit. With my novel, I bring to you Gypsies, nature spirits, Flamenco, and a return home to the earth and her wisdom, her Llanto, and cry out. I offer you a taste of that which inspired me to write this novel, which came from a journey of my heart, back to Spain, to the memories of my childhood in high-desert fields that raised me and an ancient culture that has forever left its imprint on my soul.

In traveling along the threads of this ancient culture that wrote the story of my novel, I begin with Spain’s Gypsies who have long carried an enduring spirit of music and dance, of Flamenco, of Deep Song, Cante Hondo. These nomadic, song-wielding, magic-making people, who arrived in Spain from India, brought with them the sounds of the orient, of the Ragas, of indigenous chanting, a kind of prayer that keeps that sweet dialogue between the unseen and seen world alive, honoring the holy and sacred part of being human.

This song of Gypsy wove its fabric into Spain’s Arabic, Jewish, and Catholic roots—even as Fernando and Isabel of Spain set out to explore the Americas and enacted the Inquisition, which kicked out, killed, and tortured Jews, Arab, Gypsies, and non-Christians in Spain. Many Gbarnes-and-noble-event-jan-2017ypsies fled to the mountains, and it was here that they kept their traditions alive. Maybe—as with the negro spirituals, the Blues, and Native American chants, and so many deeply soulful songs—it is this very persecution, these dark times, that help create this ancient sound of longing that rises more fiercely and fully from the depths of our being than ever before, and reminds of our most profound connections.

My novel, Child of Duende: A Journey of the Spirit, is about this deep longing that cries out for another way…or more clearly…a way home inside this earth place. It is about discovering that, even when we’ve lost our way, and feel despair, there’s a way home, inside, inside of us, and inside the land that calls us on a sacred journey of aliveness.

If you are in New Mexico this Saturday, from 1-3p.m., please join Ronaldo Baca and I for a live weaving of storytelling and Flamenco song and guitar at Barnes and Noble, Coronado Mall, Albuquerque, that promises to stir this ancient Gypsy spirit that knows the way home. And, if you are too far away, check out my recent video, which tells the story of “duende”, the spirit of the earth, tied to my novel, Child of Duende: A Journey of the Spirit! https://youtu.be/yEJoQpKYK3I

Also, check out a limited-time promotion of my paperback novel and a VERY SPECIAL Kindle price of 99 cents on January 28th (the price goes up a dollar every day after) on Amazon: http://a.co/9scIar2

 

So Let’s Celebrate with an Ole!

December 10, 2016—This past Saturday, to an audience of 35 enthusiastic listeners, I introduced “duende”, the spirit of the earth, and the essence of my novel, Child of Duende: A Journey of the Spirit. I did so after a month of post-election shock and blues that called me to speak fuller and more passionately than in the past. I wished to share hope, and bring a full spirit of who we are capable of being as Flamenco Guitarist and Singer Ronaldo Baca and I wove together storytelling, Flamenco, and Cante Hondo (deep song).

 “Like a soft, subtle breeze that inches her way into our lives, bit by bit, increasing her intensity and presence, the darkness of winter arrives,” I began with these words. “The moon rises to light up the cooler nights and we begin to celebrate an inner world, an unseen world that, ironically, in the darkness, may be easier to glimpse, to experience than in the bright light of summer.”

My words continued, dancing in an out of Ronaldo’s Flamenco Guitar playing. “Inside this darkness lies a seed, a potent seed of yet to be dreamed of possibilities, of spirit imbued with a force that we have ignored for far too long in the name of progress, growth, and reaching for the stars.

“But here we are, wondering what’s happening around us. The friction, the breakdown, and break up of that which we’ve held to be true. Our illusions broken as seeds of power and fear, planted long ago, are now emerging. But there’s also another seed, buried deeper inside the earth, and far inside all of us, that seeks to be seen and experienced in the dark of winter… at this time of year and this time of history.

“This journey tonight is an invitation to go to that place, to travel along the threads of ancient culture, to the roots of gypsy and deep song that has never, never lost the resonance and power of its voice despite centuries of persecution. It’s the same sounds we hear in the spirituals, in the blues, in indigenous chants, and in ragas from East India, the original homeland of the Gypsies … it’s that sound of longing (or llanto…a call out) that comes from deep within and that rises more fiercely and fully in the darkness, during times in which we’ve given up hope and we’re crying out for another way.

“This is that time, and I invite you this evening, to go on this journey to a profound place of freedom, of possibility that awaits us in our listening. It is an invitation to experience “duende”, the spirit of the earth that is the very seed of which I speak, and which carries the most ancient seed of knowing. It is an invitation to travel with us, through story, song, and Flamenco guitar, to the world of my novel, Child of Duende: A Journey of the Spirit.

15355716_1142183272543542_3995107497377793370_n“So let’s begin. With an Ole, with a deep breath, with a full sigh, releasing all that we have worked so hard to create, all that we have sought so hard to find and be, so that new life can enter, so the full spirit we carry within can speak and sing.”

The evening was a beautiful, soul-filled one that felt like family remembering who we are together. I invite those of you  reading this blog to make this season one of going deep within and bringing out the gift of who you arethrough voice and spirited actionas a present to life.

*Please share your experiences of being the gift you are during these holidays. (My regular blog will resume after this).

*Make Child of Duende: A Journey of the Spirit a gift for the holidays! Check it out on Amazon: https://www.amazon.com/Child-Duende-Journey-Michelle-Adam/dp/099724710X/ref=sr_1_1?ie=UTF8&qid=1474233011&sr=8-1&keywords=child+of+duende  or at www.michelleadam.net

 

45. Sacred Action: Spirit Inside Flesh (Join Saturday’s Storytelling, Flamenco Guitar & Spanish Tapas Event!)

Blog 45: December 9, 1998—Struck by these lines from The Last Temptation of Christ movie I watched almost 20 years ago, I wrote them down:

“The dual substance of Christ—the yearning, so human, so superhuman, of man to attain God…has always been a deep inscrutable mystery to me. My principle anguish and source of all my joys and sorrows from my youth onward has been the incessant, merciless battle between the spirit and the flesh…and my soul is the arena where these two armies have clashed and met.”

This struggle between spirit and matter were deeply tied to the hip pain I experienced back then, when I lived, at age 30, with my parents in New Jersey. In this country of materialism gone rampant, especially back then, I fought to hear my soul’s voice that had become so distant after my family and I had moved from Spain to the United States during my middle school years. My hip injury in my late twenties had granted me the permission and urgency to reawaken this part of me—and my novel, Child of Duende: A Journey of the Spirit, became a way for me to express this.

Today, as I prepare for a local Storytelling, Flamenco Guitar, and Spanish Tapas event tied to my novel, I can see more clearly how this battle of spirit with matter, and the ultimate merging of these has become my life’s work. The other day, as I rehearsed with Ronaldo Baca, Flamenco guitarist and singer, we spoke about this energy, and how deeply it is tied to “duende”, the essence of my novel.

The Spanish Poet Federico Garcia Lorca once described “duende” as a work and battle, where we wrestle those demons and dark places of our psyche to uncover, to awaken, to become an artform longing to be born. This “duende,” he said, is the spirit of the earth “one must awaken in the remotest mansions of the blood,” and it is only in doing do so that duende “announces the constant baptism of newly created things.”

Aren’t Lorca’s words similar to that of Nikos Kazantzakis’s words of The Last Temptation of Christ? Isn’t there a battle we all engage in as humans (if we are willing to be honest with ourselves) of merging spirit with matter, of becoming this invisible life force of “duende” that moves through our visible, limited physical reality?

As more people wake up to this life force within themselves, how do we engage in this righteous battle to become most fully spirit within flesh? (I see examples of this in our recent history: at Standing Rock in the Dakotas, the Sioux Nation has been protecting the waters by standing up against Energy Transfer Partners, an oil company building a pipeline which is intended to transport 5550,000 barrels of oil a day to maintain our comfortable lives. Since the U.S. presidential elections, others have taken to the streets in protest of the results, and it seems, so many of us are waking up, realizing we can’t take our freedom and democracy—or what there is left of it—for granted any more).

At this time of immense change and upheaval, how do we take this essence of “duende” and be the conduits through which life can—through sacred action—fully express herself?

How have you become this spirit inside flesh most authentically?

*This Saturday, Ronaldo Baca and I will be offering a journey inside this essence in an inspiring evening of Storytelling, Flamenco Guitar, and Spanish Tapas. It’s this Saturday, Dec. 10th, at 4p.m. at Awaken to Wellness Center, 1704 Moon St NE, Ste 9, Albuquerque.

My recently-published novel, Child of Duende: A Journey of the Spirit, may also make a great gift this season! It’s available on Amazon: https://www.amazon.com/Child-Duende-Journey-Michelle-Adam/dp/099724710X/ref=sr_1_1?ie=UTF8&qid=1474233011&sr=8-1&keywords=child+of+duende  or at www.michelleadam.net

Duende: A Creative Fusion of Spirit and Matter

September 24, 2016–Last week, I asked, “Where do spirit and matter meet?,”and this week, as I sat down to write, I felt called to answer this question: they meet when we share our soul’s longing and gift with others through creative fusion and love…when we embody our spirit through creative expression.

This is so much what happened at this past Thursday’s Storytelling and Spanish Guitar and Tapas event I had at my local library with Ronaldo Baca, a Flamenco guitarist, who played guitar as I shared my story of passion and love for the Spanish land and culture that inspired my novel, Child of Duende: A Journey of the Spirit. About 45 people joined me and Ronaldo Baca, who had chosen to collaborate with me  because he, too, understood and shared the depth of love I had for the Spanish land and her soul that “raised me.”

14449971_1297864496891815_7809625475572612846_n

My reading began with these words: “There’s a voice inside the earth, subtle, yet there, easing her song, her melody of sweet, nurturing love into every part of our being. This voice–this ancient, primordial song–came to me as a child, from the land in Spain who sang my young child’s soul alive. This evening is dedicated to her and to the novel that I wrote, which comes from her soul.”

Ronaldo Baca played and sang a Flamenco Malaguena before I began, and ended with an Alegria.  It was so beautiful and carried such soul and duende–that 14358994_1297863966891868_4847407625166353127_nspontaneous, raw, creative passion–that I felt a great of wave of gratitude come over me. I then told the story of the earth’s spirit, the soul of Spain, and that place within us as a child that is so alive, and full of imagination and room for spirit to rise within us. It was a sweet, honey-filled way to honor Equinox and the first day of autumn.

At the end of the event,  one woman came to me in tears and shared how I had reminded her of her magical childhood–of a time when she and others in her family believed in spirits, in worlds unseen, and lived the richness of her child’s imagination. This evening for her, and for others (including me), was a reminder that there’s an eternal door open to us to walk through, at any time, into this place of magic–of duende14468783_1297864270225171_5534532804577011312_o–that we may have carried as a child…and to live this once again.

Check it out: A Short Clip from Storytelling Event

My novel, Child of Duende: A Journey of the Spirit, is available on Amazon here: https://www.amazon.com/Child-Duende-Journey-Michelle-Adam/dp/099724710X/ref=sr_1_1?ie=UTF8&qid=1474769851&sr=8-1&keywords=child+of+duende (or can be ordered through your local bookstore).