Remembering Christmas Eve

Poem in honor of childhood memories of the holidays, and my father, who left this world earlier this year (break from regular blog): 

We used to watch 
the candles burn
to a tip as 
Mahalia Jackson 
melted our hearts 
with song,
deep with longing. 

We used to walk 
to mass at midnight
under falling snow
because church
was nature and
the ritual of
being together.

We used to sing 
songs in German,
English, and 
childlike play, 
my father eagerly
singing 
Five Golden Rings 
because that's all
he knew and 
it was his special
verse to share. 

Holidays where about
coming together,
and slowing down 
long enough to let
the night arrive,
inch by inch,
on Christmas Eve ... and never leave us.

My Novel, Child of Duende: A Journey of the Spirit, is about coming home to that place of ritual and connectedness. It’s available on Amazon at Amazon Page or at  http://www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

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73. Giving Thanks for My Life and Work

BLOG 73—(present reflections tied to August 2000 journal entries about my healing and novel-writing journey)—Long days and nights of summer mist; consistent poetry workshops on Mondays; daily walks in the woods, every day with more strength and presence; evening feasts to cicada rhythms with visiting family and friends; swimming in the pool; tending to the garden; and meditating, healing my hips, and writing my novel’s story led to a special  moment on August 18 on Skimmilk Farm in New England…

Jean Pedrick and I at Skimmilk Farm (photo of a black & white picture taken by Carl Hyatt in 2000).

… that special night I finished my novel, which back then was simply called Duende. This 80,000 word manuscript began merely as a short story with no goal other than to follow the hunger that lay inside my aching body back in 1996, yet four years later it became my novel. I let out a sigh of amazement as the stars filled the skies on that August night on the farm. And not only was my novel finished, I was also healing my hips and beginning to walk again.

“Last night I finished Duende,” I wrote back then. “I completed my book at about 2 a.m. and then sat in front of my mesa, my altar, taking in the message and love of Duende, the spirit that rests in my bones, that is my bones, wanting to speak. As I wrote the last pieces of my novel, I felt the hunger, the altogether chaos and wildness of that earth-honoring self that I was, that we all are. I sat with that part of myself that surrenders to knowing, to truly understanding; that stands in the middle of the jungle, in that space of not separating from the jungle that is my body, that is myself, crawling its vines, its seemingly chaotic and random living through me, through us…that part that doesn’t try to figure out and dissect what is (for that will kill us), but surrenders to not knowing all the answers; because to know it all would be to separate ourselves from source that is so much bigger and vaster than ourselves and

20171122_173035

Jean Pedrick and I at Skimmilk Farm (photo of a black & white picture taken by Carl Hyatt in 2000).

yet is ourseleves as well. To contain this vastness would be to kill ourselves, to destroy the very part of ourselves that yearns to fly and live and truly taste the truth of our existence. This, I felt, was the duende that led me to write my novel and the very story that wished to teach me and others about an essence of life that we all have access to.

Back in 2000, I thought I had finished my novel, yet there were many more layers and chapters to write. I don’t regret any of the lengthy process of it. Not one bit. Not the years with several agents who shopped my novel to big publishers with optimistic reviews but no takers. Not the years of rewrites and further rewrites. It all became a part of a journey home to duende, to this spirit inside me that I continue to celebrate every day. The end of my novel then, and the publication of my novel more than a year ago became, in essence, the beginning of my true, fully-realized life.

Today, as we celebrate Thanksgiving, I stay home nursing an intense cold. But I’m grateful.  I am grateful that the life I live now comes from deep within me, that it comes from my spirit, my essence coming first in whatever I do. There’s a sense of peace in this, a sense of knowing there is nowhere I need to go, that the richness of each moment is here, inside me, and around me. If I honor my creative spirit and surrender that which guides me in each moment, all will be okay.

20171122_173316

Photo of a photo taken by Carl Hyatt in 2000.

A few weeks ago, I also offered a Shamanic Writing Workshop with Burt Kempner, a fellow author, and remember feeling gratitude for having completed a successful class. At one point I was with my partner, Gorky, and he was sharing with me how wonderful the class had been. As he said these words, I began to cry a sense of recognizing that I had come home; that I was doing my life’s work on this earth, even if it was bit by bit as I worked a so-called day job. What a gift to be with someone I loved and to share in the harvest of all that I had worked so hard to become!

On this day of Giving Thanks, I give thanks to the fact that I not only published my novel (after completing it 20 years ago!), but that I can share my work and my life’s passion with my partner, family, and friends, near and far, who have seen me grow into the person I have become (and thanks to those who dropped off Thanksgiving food to me!). What a blessing to be surrounded by love and also be guided by a vaster universe that weaves its magic through me and all of us!

Blessings to you All!

Give a gift of magic, spirit, and returning home with Child of Duende: A Journey of the Spirit, for these upcoming holidays! It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

72. Vulnerable in a Red Dress

BLOG 72: (present reflections tied to July 2000 journal entries about my healing and novel-writing journey)—When we set out to heal something, deeply, fully, we can never—I mean, never—know what energies, what buried memories, reside in our unconscious, beneath layers upon layers of skin. Shed that skin is all we can do, and is all I could do, back at the New England farmhouse in the summer of 2000.

As I read through journals of those times, I am amazed at what I wrote and experienced. So full, so unedited, so raw and real, with a deep listening that reveals only that which I was ready to feel and hear at the time. Week after week, I went to my shamanic and energy healing sessions, and each time a new layer of skin peeled off to reveal what was next. Patience, listening, being with the earth, being still to feel the thunder that broke under layers of walls protecting my heart for so long. From moments of euphoria and awakening to fear and grief, it was all there as I healed.

I had a friend recently ask me, “When you see these difficult parts that show up, what do you do?” I answered, “nothing.” The old ways of fighting, cutting out the old, discarding it, ignoring it because it doesn’t serve our present world view or longing didn’t work for me back when I healed the worst part of my hip pain. What healed me, was being with it all—all the thund651cec7d0b2bc5cb0d2fba1f6153483eer, pain, and fear—becoming the nurturing mother that holds her child when he or she is in pain.

No judgment, just being with what is, with what resides in our psyche, our bodies that could be of this lifetime, or another, or some energy that maybe, just maybe, comes from the earth, from a collective psyche, working its pain through us. What matters is that we feel it, be with it, hold it, honor that this is what our being, at the deepest level, is trying to show us so we are no longer the fear that locks us down…so we are no longer a prisoner of the very cage we once created to protect us so long ago.

As I read through my journal, I come across an entry of a story I wrote from something I had dreamed, from a fright I held in my body. Why this fright was there, and where it originally came from, I can’t say. But it was there, strong, in my dreams. So I wrote out this fright as a story, so I could be with it and honor what my body spoke as I healed on the farm that summer of 2000. Maybe my story, and my willingness to share this, will inspire you, the reader, to be with your own dreams, experiences, or feelings with no judgment . .. just love.

Here’s a bit of my story, told through my dreams and body:

“There’s a young girl, no older than three, crowded into a corner of a room. It is dark. The only light on is the one in the kitchen, which casts a shadow over the backyard. But this room is bare of light. The girl hovers, holding herself, whispering a cry for help that she knows no one will hear, that she hopes no one will hear, but which soothes her for a moment into believing she is not alone.

“The door closes. There is a figure of a shadow walking toward her as she covers her body with her arms—all wrapped around her, hopelessly looking for a way out. The c14af69c7515c8d9fced9cbfaf37574fwalls appear to narrow in as this man approaches. The man is the wall narrowing in. There is nowhere to hide. Make herself invisible is what she tries to do in her mind’s eye. If she works at it hard enough this man won’t see her, she convinces herself for a few moments. Yet he narrows in.

“Her body screams out, why, why me? It screams and screams, but she’s in no position to do anything about it. The screaming is a trembling, a question that moves through her, that one day will need to be answered. . .

“. . .Years later, she dances with this same man. And there she is, wearing this red dress and heals and knowing she needs to let her hair down, that she needs to give her female self a chance to show up. But it must have made her feel too vulnerable that day, with the dance and the dream. Something was trying to show its face, something she had never expected.”

My Novel, Child of Duende: A Journey of the Spirit, is about freeing ourselves from the prison walls we’ve created to protect ourselves. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

68. Shedding my Skin

BLOG 68: July, 2000—A month of swimming, sharing dinners, of poetry, prose, and rich dreams, had passed at Jean’s New Hampshire farmhouse.  During this time of healing, the rituals and practices remained the same. Every week, I visited Denise, my Reiki energy healer, and every morning, especially after sessions with her, I tracked my dreams in my journal. The day after each healing session, I’d feel extremely tender and weak, with my nervous system so intensely heightened that I could feel any subtle changes within me and all around me.

Those mornings I would move slowly, and always—without fail—sit on the earth, in the garden, weeding or tending to the vegetables and plants. The earth soothed me, as I let myself sink into her broad arms, and feel her rich soil sift through my hands. Then, after a day of gentle healing, I continued my walks in the woods, bowing to the trees, listening to my heart, feeling her blocks, her resistance to the beauty around, as I opened, opened, and let myself truly feel for the first time in my adult life. And each week, I walked more, further, as my heart and hips opened.

At thirty years old, I had already experienced almost four years of pain, which ha1239e65497ccec8478b425560ef538d5d brought me to this place, and I was ready for the change that awaited me. So, when nights arrived, and I visited the world of the unconscious, I invited the layers of my unfamiliar self to rise toward my skin, to show me what lay behind the tightness of my body’s pain. And with every energy healing session, I unwound more layers of pain.

The dreams were many. During one, I literally shit out a snake (seems the most direct way to say this!), and was guided to make sure it fully left my body. In the shamanic world, the snake carries a lot of symbolism, especially that of being able to shed its skin and release the past. I took my dream to be about that—about letting go. After that dream, I felt a surge of energy I had never felt before in my tailbone, and after others and intense healing sessions, I woke with tremendous energy in my pelvis, with great sexual energy moving down my legs and into my feet, and up toward my heart.

With all that was happening to me, and fun days with Jean and her family on the farm, it was ironic that one of my greatest fears was feeling empty. As I s891d6d99f266bad7a7b3c16257939e60at still, meditated, and was honest with my feelings, I realized that I had spent so many years fighting, so often struggling or battling hard to be someone, to prove myself, to protect myself from all that had hurt me, that in the end I was most afraid of being empty. I had come to identify myself as the pain, struggle, and fight I had so long lived, that I feared, as I let go of all these layers in my body, I would be left with no center, no I.

Even back then, as I wrote about this, I knew that this “I” that I had become accustomed to was my ego, was the person I had learned to be… not the one I truly was. Living on the farm and being with the earth in all her nurturing love, helped me let go of this old self, this pained way, and make room for a gentler, more giving self. As a friend had once said after undergoing a shamanic journey on behalf of my hip: this journey of pain was about learning to be my gentler self, of not needing to push forward with a scorching, yet unattended fire in the pelvis…to be this gentle love that I was, and yet had left behind, years ago, as a child in the fields of Spain. 

My Novel, Child of Duende: A Journey of the Spirit, is about shedding our skin and returning to a gentler place connected to the earth. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

      

65. From Feast to Nightmare

BLOG 65: June, 2000—The sounds of crickets and bullfrogs filled in the silence of the encroaching night as we sat at the long dining room table of the old New England farmhouse, singing musical show tunes. It was no ordinary evening. My elder poet housemate, Jean, and her son John, her granddaughter Emily, and Emily’s mom, Cassie, (and maybe Jean’s other son, Larry, and some girlfriend, as far I can remember!) and I were all enjoying a great feast with a bottle of homemade and homegrown strawberry rhubarb wine gifted to me by the family who had hosted the shamanic workshop I had translated for.

One average-sized bottle of this extraordinary potion shared among us was enough to convert us into musical magicians (or at least we thought we were) and unstoppable storytelling and laughter. We took our turns marveling at this wine bottle and its light rose substance inside. Was it possible that so little amount could be so magical? Maybe the nature spirits, the duendes, of our New England mountainside were responsible for having infused every cell of those fermented strawberries and rhubarb patches with immense joy and lightness that lifted our spirits into the night.

Any concerns or stress we may have brought with us to the farmhouse—whether Jean’s loss of her husband, or my aching body and all the uncertainties of my new summer on the farm, or work stresses for those who had arrived here from Boston or New York—flew out the window on nature’s wings. Even Emily and her 13-year-old teenage angst and attitude disappeared inside the laughter and song of my new-found summer family.

Although great feasts and wine became an integral part of my summer on the farm, I continued, like clockwork, visiting Denise, who performed Reiki energy work and shamanic healing on me every week. We focused on healing the pain in my hip, sacrum, and groin that had become debilitating.

After every session, I went back to the farmhouse, altered and exhausted. I tried to go to bed early and fall into a deep, deep sleep that often lingered into early afternoon or later. Then, in a slumber of weakness and altered consciousness, I meditated and sat for hours on the earth, in the garden, sifting earth through my fingers while tending to the sprouting vegetable and herb seedlings.

I will never forget one of those post-Reiki nights of healing that took me on a journey unlike any I had ever experienced. That night, in late June, I couldn’t sleep. My stomach became agitated, my entire sacrum and pelvis throbbed in fear, cd71d209e7ea69f884080638e259c8b8and every little noise seemed to trigger a deep physical response. At one point, as my mind began to drift slightly, I screamed. I screamed out a heightened fright that suddenly gripped my body. I felt as if someone were about to attack me as an unfamiliar reality surfaced from deep within me, taking over any other reality that existed around me.

Feeling intensely frightened, I sat up and focused on grounding myself like a tree into the earth. But when I closed my eyes to imagine this, I merely felt unsafe, cut off from the earth and any sense of security. I lay back down, and called upon an animal ally (something I had been taught to do in my shamanic training). I asked this animal ally to lie between my legs, protecting my groin and pelvis, which, had become very agitated. 

For anyone reading this, it may seem an odd explanation of an experience that was akin to a bad drug trip or post traumatic stress. But, I had already spent almost four years, to no avail, attempting to heal from my groin pull. I had worked with almost every type of healing modality, including conventional Western medicine, but had never experienced Reiki, which is a kind of energy healing. The impact of this healing surprised me, and went deeper that anything I had tried before. It seemed to begin to move the energy, the life force, which had existed in areas where hardened, endless pain had lived for too long. When this occurred, a deeper reality that resided inside the pain, revealed itself at night, when my inhibitions where low, when that part residing in the unconscious folds of our being comes to the surface to be seen and heard.      

That night of many moons ago, I allowed for my animal guide, a spirit protector, if you will, to protect me from the fright that resided inside me. I gradually fell asleep, but only after moments of drifting off and then suddenly waking to the sound of cars driving by or any other noise that felt like an immense shock through me. Imagine yourself there, your nervous system so sensitive, so heightened to everything, that every noise, every movement around you, jolts you awake. b436871e6116bf8f6cf1672fa1414b92That’s where I remained all night, until the birds began to chirp outside my window, and all of me drifted into a sleep that would be so much more than sleep…that would be a nightmare, to be exact.

The nightmare that followed would offer me one important key to the door of my summer’s healing. But, I will spare the reader this story until my next blog. For now, I can say that there are nightmare’s that are worth having, every bit of them, especially if, in having them, there’s peace and healing on the other side.

The summer on the farm offered me these extremes—feasts of immense celebration and laughter, and nightmares, that, like an initiation through our greatest fear and fright, ultimately offer another life, another way, filled with immense, hope, love, and joy. I would not have changed any of it, for all of it was necessary to have arrived at this place today, this place of gratitude and grace.

My Novel, Child of Duende: A Journey of the Spirit, is about traveling through our nightmares to a place of renewed hope and joy. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

Sharing Duende in Buenos Aires

5/21/2017: Soon I will be in Buenos Aires, my father’s childhood city, and one in which I will share my novel, Child of Duende: A Journey of the Spirit, at Kel Ediciones in Belgrano, Buenos Aires, on May 26, 5:30p.m. What an honor! I will take time off of my regular blog for a few weeks, but please share news of this event with friends in Buenos Aires who may be inspired to share a moment with my novel, Flamenco guitar, and DUENDE, a word brought alive in this port city by a great Spanish Poet Federico GarciaLorca more than 80 years ago. 

Here’s a little excerpt of my talk to Flamenco Guitar: 

“It was October of 1933 when a large Italian Passenger Liner landed here, in the Port of Buenos Aires. That day, one of the most important Generation of ’27 Spanish poets—Federico Garcia Lorca—arrived in Buenos Aires, where he fell in love with its streets and people and remained for six months…much longer than he had planned.

Federico Garcia Lorca was no ordinary poet. He was one from Granada, from Southern Spain, where the Gypsy culture, Flamenco dance and music, and the spirit of the land would forever claim him—that is, until he was killed by Spain’s fascists in 1936.  Lorca knew, unlike many artists, what it meant to truly be creative, to instantaneously confront both the present and death itself rather than to be tied to the musings of the past.”

So when he came to Buenos Aires to premiere his play, Blood Wedding, he also offered an unforgettable speech, The Play and Theory of the Duende, that would forever leave its imprint on the world… and, years later, would inspire my novel, Child of Duende: A Journey of the Spirit, which I bring to you today. I come here from New Mexico to walk these streets that Garcia Lorca once walked, and that my father, Alberto Adam, also traversed as an adult and child growing up in Buenos Aires. I honor both men today, as I bring to you my story, my novel, Child of Duende: A Journey of the Spirit, and “duende,” this essence that Lorca carried with him from Spain 84 years ago.”  

In Lorca’s speech, he said, “In Andalucía (Southern Spain), the people constantly talk of the duende,” explaining that all that has black sounds has duende, since these black sounds are the mystery, the roots fastened in the mire that we all know and all ignore, the fertile silt that gives us the very substance of art. He went on to describe a guitarist as saying that “The duende is not in the throat: the duende surges up, inside, from the soles of the feet.” Meaning, it’s not a question of skill, but of a style that’s truly alive: meaning, it’s in the veins: meaning, it’s of the most ancient culture of immediate creation.” 

“Duende”, Lorca added, is a “mysterious force that everyone3f52c657f037f47efd369cc5dd7af233.jpg feels and no philosopher has explained” that is “in sum, the spirit of the earth.”… the spirit of the earth, which, in moving through every limb of our being, unencumbered and raw, produces an almost religious enthusiasm.  It’s that spirit that an artist embodies when singing so profoundly and truthfully, with clear channel, that we are left with goose bumps, and sighs. Unlike the muse and angel, this spirit must come from within, and must be “awakened in the remotest mansions of the blood,” and ONLY once having done so, then, “announces the constant baptism of newly created things.”

The duende is what we hear in the llanto, the cry out, el cante hondo, the deep song of Flamenco, which has remained with us during our brief, but intense human history. Just travel along the threads of an ancient Gypsy culture to experience this. These nomadic, song-wielding, magic-making people, who arrived in Spain from India, still carry the essence of song they brought with them from the orient, of the Ragas, of indigenous chanting, a kind of prayer that keeps that sweet dialogue between the unseen and seen world alive, honoring the holy and sacred part of being human.”

This song of Gypsy wove its fabric into Spain’s Arabic, Jewish, and Catholic roots—even as Fernando and Isabel of Spain set out to explore the Americas and enacted the Inquisition, which kicked out, killed, and tortured Jews, Arab, Gypsies, and non-Christians in Spain. Many Gypsies fled to the mountains, and it was here that they kept their traditions alive. Maybe—as with the negro spirituals, the Blues, and Native American chants, and so many deeply soulful songs—it is this very persecution, these dark times, that help create this ancient sound of longing that rises more fiercely and fully from the depths of our being than ever before, and reminds of our most profound connections.”

Can you hear the depth of this LLANTO, this “song of the earth,” this most life-affirming voice of the soul that never quits? Maybe if you listen closely, you can, as you also hear the poet’s voice… carrying a plaintive solitary cry belonging to an Andalusian Soul …of Gypsy, Arab and Jew…of indigenous roots untangling, struggling to surface to engage in the most challenging, yet rich work of our life—that of fully inhabiting ourselves.”

Please join me this May 26 at 5:30p.m. in Buenos Aires (and if you can’t make it, please let friends who can come know) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top carrier of books in English in Buenos Aires. 

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

 

Open Letter to My Father: (pause from regular blog)

It’s been more than two months since you left, your last breath a cry of life and then you were gone. When I’m still enough to feel and listen, I sense you here with me. In several weeks, though, I imagine I’ll feel your presence even more. That’s when my mother, sisters, and I will be traveling to Buenos Aires, Argentina, staying inside your apartment tucked away inside the old quarters of your city. It once lay above the empanada shop that smelled of oven-baked dough wafting up toward your place, and then the hairdresser’s where I replaced, with decent hair color, that horrific henna hair color that made the top of my head look like a carrot—and which you kept touching to make fun of.

If I remember correctly, the last time I was with you in your beloved Argentina was two spring times ago, before you got too sick to travel. We planned another trip after that, but it wasn’t in the cards. Instead, chemotherapy was. But I still remember how you asked me, quite last minute, to join you in Argentina for that last spring time together. At first I declined, since I had made alternative plans, but then, with your persistence, and lots of maneuvering, we shared our last month in your beloved country together.

That was the time my upper back was in immense pain and you couldn’t walk much more than a block. We were quite the team, eternally riding taxis through Buenos Aires, with you incessantly IMG_1174talking to the drivers and everyone else we met. “Isn’t this city the best city in the world,” you’d tell the taxi driver. You’d sit there in the back with your little black bag you carried everywhere, beaming with joy for your childhood homeland you had returned to.

One of our last taxi rides together was to the fish vendor. Do you remember? Even though walking was a struggle, you insisted we stroll through an open market where you greeted everyone as if you had been there a hundred times. Then we went to your fish vendor to pick up a large, frozen octopus, which you insisted on cooking because your friends considered it one of their favorite delicacies.

We celebrated our last supper in the apartment with your friends, Loli and Herbert, and with your sisters, Ingrid and Dietlinde. What a glorious night. You had worked so hard cooking that octopus, and by the time we sat down to eat, and I dedicated a poem and song to you—and to the brief time we all had to celebrate life together—it seemed all worth it.

While you faced your challenges with age—Parkinson’s, Leukemia, and then Melanoma—there was something special about those final years together. You were no longer the tough, distant father I had known you to be, and your challengIMG_1165es became the gift that opened you to love. I adored how you talked to everyone you met; how you let things go that weren’t important; how you didn’t care about things being perfect anymore. What had become perfect was your giving heart, memorable dinners with precious friends of your childhood, and your unbridled passion for small things (like that ice cream you loved at Adan Restaurant—the one topped with champagne and lemon!).

Maybe when mom, my sisters, and I go back to Buenos Aires later this month, we’ll honor you with a scoop of that fine ice cream; or by taking a trip by taxi; or by greeting the man at the deli across the street, and all the others you used to speak to. What I do know is that family and friends will come together with you, celebrating your life with an abundance of toasts. I’ll make a special Last Supper in your apartment to honor you as well (I’ll even take a picture of it, and make sure you’re in it!), and I’ll do a book reading from my novel Child of Duende with a local Flamenco guitarist in your neighborhood.

It will be the first time that I perform anything outside of this country, let alone in Argentina—and it may be the last there. As much as I’m doing it for myself, when I share the story of Duende to Flamenco guitar, it will be for you as well. You’ll be able to see me there, in your favorite city in the world, en tu Buenos Aires Querido, sharing, as you did, Argentinian Eventmy passion for living this moment, this breath, this spirit of life that is only given to us for this brief moment. I hope you can come, that you can see me, that you can see and feel all of us honoring you where your heart had learned to open so big in your last years of your life, at home, in your Beloved Querido Buenos Aires.

Please join me this May 26 at 5:30p.m. in Buenos Aires (and if you can’t make it, please let friends who can come know) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top 

carrier of books in English in Buenos Aires. 

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video