72. Vulnerable in a Red Dress

BLOG 72: (present reflections tied to July 2000 journal entries about my healing and novel-writing journey)—When we set out to heal something, deeply, fully, we can never—I mean, never—know what energies, what buried memories, reside in our unconscious, beneath layers upon layers of skin. Shed that skin is all we can do, and is all I could do, back at the New England farmhouse in the summer of 2000.

As I read through journals of those times, I am amazed at what I wrote and experienced. So full, so unedited, so raw and real, with a deep listening that reveals only that which I was ready to feel and hear at the time. Week after week, I went to my shamanic and energy healing sessions, and each time a new layer of skin peeled off to reveal what was next. Patience, listening, being with the earth, being still to feel the thunder that broke under layers of walls protecting my heart for so long. From moments of euphoria and awakening to fear and grief, it was all there as I healed.

I had a friend recently ask me, “When you see these difficult parts that show up, what do you do?” I answered, “nothing.” The old ways of fighting, cutting out the old, discarding it, ignoring it because it doesn’t serve our present world view or longing didn’t work for me back when I healed the worst part of my hip pain. What healed me, was being with it all—all the thund651cec7d0b2bc5cb0d2fba1f6153483eer, pain, and fear—becoming the nurturing mother that holds her child when he or she is in pain.

No judgment, just being with what is, with what resides in our psyche, our bodies that could be of this lifetime, or another, or some energy that maybe, just maybe, comes from the earth, from a collective psyche, working its pain through us. What matters is that we feel it, be with it, hold it, honor that this is what our being, at the deepest level, is trying to show us so we are no longer the fear that locks us down…so we are no longer a prisoner of the very cage we once created to protect us so long ago.

As I read through my journal, I come across an entry of a story I wrote from something I had dreamed, from a fright I held in my body. Why this fright was there, and where it originally came from, I can’t say. But it was there, strong, in my dreams. So I wrote out this fright as a story, so I could be with it and honor what my body spoke as I healed on the farm that summer of 2000. Maybe my story, and my willingness to share this, will inspire you, the reader, to be with your own dreams, experiences, or feelings with no judgment . .. just love.

Here’s a bit of my story, told through my dreams and body:

“There’s a young girl, no older than three, crowded into a corner of a room. It is dark. The only light on is the one in the kitchen, which casts a shadow over the backyard. But this room is bare of light. The girl hovers, holding herself, whispering a cry for help that she knows no one will hear, that she hopes no one will hear, but which soothes her for a moment into believing she is not alone.

“The door closes. There is a figure of a shadow walking toward her as she covers her body with her arms—all wrapped around her, hopelessly looking for a way out. The c14af69c7515c8d9fced9cbfaf37574fwalls appear to narrow in as this man approaches. The man is the wall narrowing in. There is nowhere to hide. Make herself invisible is what she tries to do in her mind’s eye. If she works at it hard enough this man won’t see her, she convinces herself for a few moments. Yet he narrows in.

“Her body screams out, why, why me? It screams and screams, but she’s in no position to do anything about it. The screaming is a trembling, a question that moves through her, that one day will need to be answered. . .

“. . .Years later, she dances with this same man. And there she is, wearing this red dress and heals and knowing she needs to let her hair down, that she needs to give her female self a chance to show up. But it must have made her feel too vulnerable that day, with the dance and the dream. Something was trying to show its face, something she had never expected.”

My Novel, Child of Duende: A Journey of the Spirit, is about freeing ourselves from the prison walls we’ve created to protect ourselves. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

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68. Shedding my Skin

BLOG 68: July, 2000—A month of swimming, sharing dinners, of poetry, prose, and rich dreams, had passed at Jean’s New Hampshire farmhouse.  During this time of healing, the rituals and practices remained the same. Every week, I visited Denise, my Reiki energy healer, and every morning, especially after sessions with her, I tracked my dreams in my journal. The day after each healing session, I’d feel extremely tender and weak, with my nervous system so intensely heightened that I could feel any subtle changes within me and all around me.

Those mornings I would move slowly, and always—without fail—sit on the earth, in the garden, weeding or tending to the vegetables and plants. The earth soothed me, as I let myself sink into her broad arms, and feel her rich soil sift through my hands. Then, after a day of gentle healing, I continued my walks in the woods, bowing to the trees, listening to my heart, feeling her blocks, her resistance to the beauty around, as I opened, opened, and let myself truly feel for the first time in my adult life. And each week, I walked more, further, as my heart and hips opened.

At thirty years old, I had already experienced almost four years of pain, which ha1239e65497ccec8478b425560ef538d5d brought me to this place, and I was ready for the change that awaited me. So, when nights arrived, and I visited the world of the unconscious, I invited the layers of my unfamiliar self to rise toward my skin, to show me what lay behind the tightness of my body’s pain. And with every energy healing session, I unwound more layers of pain.

The dreams were many. During one, I literally shit out a snake (seems the most direct way to say this!), and was guided to make sure it fully left my body. In the shamanic world, the snake carries a lot of symbolism, especially that of being able to shed its skin and release the past. I took my dream to be about that—about letting go. After that dream, I felt a surge of energy I had never felt before in my tailbone, and after others and intense healing sessions, I woke with tremendous energy in my pelvis, with great sexual energy moving down my legs and into my feet, and up toward my heart.

With all that was happening to me, and fun days with Jean and her family on the farm, it was ironic that one of my greatest fears was feeling empty. As I s891d6d99f266bad7a7b3c16257939e60at still, meditated, and was honest with my feelings, I realized that I had spent so many years fighting, so often struggling or battling hard to be someone, to prove myself, to protect myself from all that had hurt me, that in the end I was most afraid of being empty. I had come to identify myself as the pain, struggle, and fight I had so long lived, that I feared, as I let go of all these layers in my body, I would be left with no center, no I.

Even back then, as I wrote about this, I knew that this “I” that I had become accustomed to was my ego, was the person I had learned to be… not the one I truly was. Living on the farm and being with the earth in all her nurturing love, helped me let go of this old self, this pained way, and make room for a gentler, more giving self. As a friend had once said after undergoing a shamanic journey on behalf of my hip: this journey of pain was about learning to be my gentler self, of not needing to push forward with a scorching, yet unattended fire in the pelvis…to be this gentle love that I was, and yet had left behind, years ago, as a child in the fields of Spain. 

My Novel, Child of Duende: A Journey of the Spirit, is about shedding our skin and returning to a gentler place connected to the earth. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

      

65. From Feast to Nightmare

BLOG 65: June, 2000—The sounds of crickets and bullfrogs filled in the silence of the encroaching night as we sat at the long dining room table of the old New England farmhouse, singing musical show tunes. It was no ordinary evening. My elder poet housemate, Jean, and her son John, her granddaughter Emily, and Emily’s mom, Cassie, (and maybe Jean’s other son, Larry, and some girlfriend, as far I can remember!) and I were all enjoying a great feast with a bottle of homemade and homegrown strawberry rhubarb wine gifted to me by the family who had hosted the shamanic workshop I had translated for.

One average-sized bottle of this extraordinary potion shared among us was enough to convert us into musical magicians (or at least we thought we were) and unstoppable storytelling and laughter. We took our turns marveling at this wine bottle and its light rose substance inside. Was it possible that so little amount could be so magical? Maybe the nature spirits, the duendes, of our New England mountainside were responsible for having infused every cell of those fermented strawberries and rhubarb patches with immense joy and lightness that lifted our spirits into the night.

Any concerns or stress we may have brought with us to the farmhouse—whether Jean’s loss of her husband, or my aching body and all the uncertainties of my new summer on the farm, or work stresses for those who had arrived here from Boston or New York—flew out the window on nature’s wings. Even Emily and her 13-year-old teenage angst and attitude disappeared inside the laughter and song of my new-found summer family.

Although great feasts and wine became an integral part of my summer on the farm, I continued, like clockwork, visiting Denise, who performed Reiki energy work and shamanic healing on me every week. We focused on healing the pain in my hip, sacrum, and groin that had become debilitating.

After every session, I went back to the farmhouse, altered and exhausted. I tried to go to bed early and fall into a deep, deep sleep that often lingered into early afternoon or later. Then, in a slumber of weakness and altered consciousness, I meditated and sat for hours on the earth, in the garden, sifting earth through my fingers while tending to the sprouting vegetable and herb seedlings.

I will never forget one of those post-Reiki nights of healing that took me on a journey unlike any I had ever experienced. That night, in late June, I couldn’t sleep. My stomach became agitated, my entire sacrum and pelvis throbbed in fear, cd71d209e7ea69f884080638e259c8b8and every little noise seemed to trigger a deep physical response. At one point, as my mind began to drift slightly, I screamed. I screamed out a heightened fright that suddenly gripped my body. I felt as if someone were about to attack me as an unfamiliar reality surfaced from deep within me, taking over any other reality that existed around me.

Feeling intensely frightened, I sat up and focused on grounding myself like a tree into the earth. But when I closed my eyes to imagine this, I merely felt unsafe, cut off from the earth and any sense of security. I lay back down, and called upon an animal ally (something I had been taught to do in my shamanic training). I asked this animal ally to lie between my legs, protecting my groin and pelvis, which, had become very agitated. 

For anyone reading this, it may seem an odd explanation of an experience that was akin to a bad drug trip or post traumatic stress. But, I had already spent almost four years, to no avail, attempting to heal from my groin pull. I had worked with almost every type of healing modality, including conventional Western medicine, but had never experienced Reiki, which is a kind of energy healing. The impact of this healing surprised me, and went deeper that anything I had tried before. It seemed to begin to move the energy, the life force, which had existed in areas where hardened, endless pain had lived for too long. When this occurred, a deeper reality that resided inside the pain, revealed itself at night, when my inhibitions where low, when that part residing in the unconscious folds of our being comes to the surface to be seen and heard.      

That night of many moons ago, I allowed for my animal guide, a spirit protector, if you will, to protect me from the fright that resided inside me. I gradually fell asleep, but only after moments of drifting off and then suddenly waking to the sound of cars driving by or any other noise that felt like an immense shock through me. Imagine yourself there, your nervous system so sensitive, so heightened to everything, that every noise, every movement around you, jolts you awake. b436871e6116bf8f6cf1672fa1414b92That’s where I remained all night, until the birds began to chirp outside my window, and all of me drifted into a sleep that would be so much more than sleep…that would be a nightmare, to be exact.

The nightmare that followed would offer me one important key to the door of my summer’s healing. But, I will spare the reader this story until my next blog. For now, I can say that there are nightmare’s that are worth having, every bit of them, especially if, in having them, there’s peace and healing on the other side.

The summer on the farm offered me these extremes—feasts of immense celebration and laughter, and nightmares, that, like an initiation through our greatest fear and fright, ultimately offer another life, another way, filled with immense, hope, love, and joy. I would not have changed any of it, for all of it was necessary to have arrived at this place today, this place of gratitude and grace.

My Novel, Child of Duende: A Journey of the Spirit, is about traveling through our nightmares to a place of renewed hope and joy. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

Sharing Duende in Buenos Aires

5/21/2017: Soon I will be in Buenos Aires, my father’s childhood city, and one in which I will share my novel, Child of Duende: A Journey of the Spirit, at Kel Ediciones in Belgrano, Buenos Aires, on May 26, 5:30p.m. What an honor! I will take time off of my regular blog for a few weeks, but please share news of this event with friends in Buenos Aires who may be inspired to share a moment with my novel, Flamenco guitar, and DUENDE, a word brought alive in this port city by a great Spanish Poet Federico GarciaLorca more than 80 years ago. 

Here’s a little excerpt of my talk to Flamenco Guitar: 

“It was October of 1933 when a large Italian Passenger Liner landed here, in the Port of Buenos Aires. That day, one of the most important Generation of ’27 Spanish poets—Federico Garcia Lorca—arrived in Buenos Aires, where he fell in love with its streets and people and remained for six months…much longer than he had planned.

Federico Garcia Lorca was no ordinary poet. He was one from Granada, from Southern Spain, where the Gypsy culture, Flamenco dance and music, and the spirit of the land would forever claim him—that is, until he was killed by Spain’s fascists in 1936.  Lorca knew, unlike many artists, what it meant to truly be creative, to instantaneously confront both the present and death itself rather than to be tied to the musings of the past.”

So when he came to Buenos Aires to premiere his play, Blood Wedding, he also offered an unforgettable speech, The Play and Theory of the Duende, that would forever leave its imprint on the world… and, years later, would inspire my novel, Child of Duende: A Journey of the Spirit, which I bring to you today. I come here from New Mexico to walk these streets that Garcia Lorca once walked, and that my father, Alberto Adam, also traversed as an adult and child growing up in Buenos Aires. I honor both men today, as I bring to you my story, my novel, Child of Duende: A Journey of the Spirit, and “duende,” this essence that Lorca carried with him from Spain 84 years ago.”  

In Lorca’s speech, he said, “In Andalucía (Southern Spain), the people constantly talk of the duende,” explaining that all that has black sounds has duende, since these black sounds are the mystery, the roots fastened in the mire that we all know and all ignore, the fertile silt that gives us the very substance of art. He went on to describe a guitarist as saying that “The duende is not in the throat: the duende surges up, inside, from the soles of the feet.” Meaning, it’s not a question of skill, but of a style that’s truly alive: meaning, it’s in the veins: meaning, it’s of the most ancient culture of immediate creation.” 

“Duende”, Lorca added, is a “mysterious force that everyone3f52c657f037f47efd369cc5dd7af233.jpg feels and no philosopher has explained” that is “in sum, the spirit of the earth.”… the spirit of the earth, which, in moving through every limb of our being, unencumbered and raw, produces an almost religious enthusiasm.  It’s that spirit that an artist embodies when singing so profoundly and truthfully, with clear channel, that we are left with goose bumps, and sighs. Unlike the muse and angel, this spirit must come from within, and must be “awakened in the remotest mansions of the blood,” and ONLY once having done so, then, “announces the constant baptism of newly created things.”

The duende is what we hear in the llanto, the cry out, el cante hondo, the deep song of Flamenco, which has remained with us during our brief, but intense human history. Just travel along the threads of an ancient Gypsy culture to experience this. These nomadic, song-wielding, magic-making people, who arrived in Spain from India, still carry the essence of song they brought with them from the orient, of the Ragas, of indigenous chanting, a kind of prayer that keeps that sweet dialogue between the unseen and seen world alive, honoring the holy and sacred part of being human.”

This song of Gypsy wove its fabric into Spain’s Arabic, Jewish, and Catholic roots—even as Fernando and Isabel of Spain set out to explore the Americas and enacted the Inquisition, which kicked out, killed, and tortured Jews, Arab, Gypsies, and non-Christians in Spain. Many Gypsies fled to the mountains, and it was here that they kept their traditions alive. Maybe—as with the negro spirituals, the Blues, and Native American chants, and so many deeply soulful songs—it is this very persecution, these dark times, that help create this ancient sound of longing that rises more fiercely and fully from the depths of our being than ever before, and reminds of our most profound connections.”

Can you hear the depth of this LLANTO, this “song of the earth,” this most life-affirming voice of the soul that never quits? Maybe if you listen closely, you can, as you also hear the poet’s voice… carrying a plaintive solitary cry belonging to an Andalusian Soul …of Gypsy, Arab and Jew…of indigenous roots untangling, struggling to surface to engage in the most challenging, yet rich work of our life—that of fully inhabiting ourselves.”

Please join me this May 26 at 5:30p.m. in Buenos Aires (and if you can’t make it, please let friends who can come know) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top carrier of books in English in Buenos Aires. 

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

 

Open Letter to My Father: (pause from regular blog)

It’s been more than two months since you left, your last breath a cry of life and then you were gone. When I’m still enough to feel and listen, I sense you here with me. In several weeks, though, I imagine I’ll feel your presence even more. That’s when my mother, sisters, and I will be traveling to Buenos Aires, Argentina, staying inside your apartment tucked away inside the old quarters of your city. It once lay above the empanada shop that smelled of oven-baked dough wafting up toward your place, and then the hairdresser’s where I replaced, with decent hair color, that horrific henna hair color that made the top of my head look like a carrot—and which you kept touching to make fun of.

If I remember correctly, the last time I was with you in your beloved Argentina was two spring times ago, before you got too sick to travel. We planned another trip after that, but it wasn’t in the cards. Instead, chemotherapy was. But I still remember how you asked me, quite last minute, to join you in Argentina for that last spring time together. At first I declined, since I had made alternative plans, but then, with your persistence, and lots of maneuvering, we shared our last month in your beloved country together.

That was the time my upper back was in immense pain and you couldn’t walk much more than a block. We were quite the team, eternally riding taxis through Buenos Aires, with you incessantly IMG_1174talking to the drivers and everyone else we met. “Isn’t this city the best city in the world,” you’d tell the taxi driver. You’d sit there in the back with your little black bag you carried everywhere, beaming with joy for your childhood homeland you had returned to.

One of our last taxi rides together was to the fish vendor. Do you remember? Even though walking was a struggle, you insisted we stroll through an open market where you greeted everyone as if you had been there a hundred times. Then we went to your fish vendor to pick up a large, frozen octopus, which you insisted on cooking because your friends considered it one of their favorite delicacies.

We celebrated our last supper in the apartment with your friends, Loli and Herbert, and with your sisters, Ingrid and Dietlinde. What a glorious night. You had worked so hard cooking that octopus, and by the time we sat down to eat, and I dedicated a poem and song to you—and to the brief time we all had to celebrate life together—it seemed all worth it.

While you faced your challenges with age—Parkinson’s, Leukemia, and then Melanoma—there was something special about those final years together. You were no longer the tough, distant father I had known you to be, and your challengIMG_1165es became the gift that opened you to love. I adored how you talked to everyone you met; how you let things go that weren’t important; how you didn’t care about things being perfect anymore. What had become perfect was your giving heart, memorable dinners with precious friends of your childhood, and your unbridled passion for small things (like that ice cream you loved at Adan Restaurant—the one topped with champagne and lemon!).

Maybe when mom, my sisters, and I go back to Buenos Aires later this month, we’ll honor you with a scoop of that fine ice cream; or by taking a trip by taxi; or by greeting the man at the deli across the street, and all the others you used to speak to. What I do know is that family and friends will come together with you, celebrating your life with an abundance of toasts. I’ll make a special Last Supper in your apartment to honor you as well (I’ll even take a picture of it, and make sure you’re in it!), and I’ll do a book reading from my novel Child of Duende with a local Flamenco guitarist in your neighborhood.

It will be the first time that I perform anything outside of this country, let alone in Argentina—and it may be the last there. As much as I’m doing it for myself, when I share the story of Duende to Flamenco guitar, it will be for you as well. You’ll be able to see me there, in your favorite city in the world, en tu Buenos Aires Querido, sharing, as you did, Argentinian Eventmy passion for living this moment, this breath, this spirit of life that is only given to us for this brief moment. I hope you can come, that you can see me, that you can see and feel all of us honoring you where your heart had learned to open so big in your last years of your life, at home, in your Beloved Querido Buenos Aires.

Please join me this May 26 at 5:30p.m. in Buenos Aires (and if you can’t make it, please let friends who can come know) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top 

carrier of books in English in Buenos Aires. 

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

54. I Want to Challenge You

 

Blog 54: June, 1999: I want to challenge you—yes, you, reader of this blog—to ask yourself: “What is my hunger?” Last week, I wrote about hunger, about my hunger of almost 20 years ago, and my current hunger. As I perused my journal last week, as I do every time I write this, I came across a piece of writing on hunger that struck a cord. So, I decided to create Part 2 of last week’s blog. Here it is, beginning with my journal entry from years ago:

“As I write this, I can hear the voices that have challenged my hunger all along,” I wrote in June, 1999. “The voice is that I am alone, that this hunger belongs only to me, and that everyone is quite normal in their view and understanding of the world. This is a strange and pathetic lie that I grew up with, that you many have grown up with: that we have no hunger; that we have no “self” that is incapable of rationalizing the answers to our existence; that we need no answers because we are the pathetic answer that walks this earth pretending to know—pretending to know that we live and die without much more to our existence; pretending that we are not vulnerable, that we do not break, that this world cannot break us and hurt us and teach us to love.”

These words from years ago may seem harsh, yet I grew up in a family where emotions were rarely expressed. My ancestors had fertilized the ground we walked on with potent seeds of stoic strength that they’d grown so they could survive horrid wars, immigration, and challenging life lessons. Yet, this stoicism masked a grief that needed, one day, to be unearthed.

“I intend to speak to those whf77ad40934475fcab37c7a5736a3b646o find my words resonating with them. Otherwise, why read? Art is, after all, this wonderful world in which we can share, express, and crawl out to the edge of a limb and cry out our existence so those who are afraid to climb can see that it is alright, that we were meant to climb, to sing, to explore this world that is only ours right now,” I wrote. “I can’t believe that this hunger is not in every breathing soul that exists—from the Buddha who found peace, to the musician who, with all her might, sings
to us a kind of longing that only a song can sometimes do so well. I have seen hunger in my father’s eyes—in the way he cannot keep still, driving wherever he can to find his hunger sated for brief moments. Or in my mother, in her later years, wanting so much to find warmth in companionship.”

Most recently, my father’s hunger was there until the very end of his life, days before he died, on February 23, 2017. He longed to walk, to try one last time, as his legs gave in below him. He longed to join us for a toast and dinner at the table, to be a part of the life. He longed for peace from pain, for some understanding, it seemed, of what awaited him after life. My family and I all longed to be there with my father, to feel the tenderness of his final weeks that had been absent many years earlier. I longed to be there to help my father transition, to breathe every last breath with him, knowing each one could mark the end.

As I sit now, alone, writing, feeling the reality of all that has passed, and of my father who is no longer here, I wonder about this thing we call life. No rational mind, no preset ideas, no justification for my father’s passing—at 79 years old, and no earlier or later—can change or ease this reality of life and death. Despite all I’ve learned about life, and spirit, and all that passes, I still ask myself, “Why?” “Why does all life leave its form to become something else?” “Why do we, as humans, have to feel loss?” There’s a hunger in that. There’s a grief. There’s a stark reality that life is so immensely precious, and that any denial of our hunger to live this life as fully as we know how, now, and no minute later, would be a lie toward life itself.

*My novel, Child of Duende: A Journey of the Spirit, is a story of following this hunger home. Check it out on Amazon: Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

 

 

51. Riding Off into “Las Pampas”

BLOG 51: June, 1999—“There are so many times you have been with me, and yet I have not seen you. I feel touched, moved, overwhelmed inside this little heart of mine by the guide you have been so long—an angel so present on this earth, so alive within me, so much a part of me,” I wrote from my parent’s home in New Jersey 18 years ago. “I feel like I have been gone so long, wayward in search of myself—a decade of scraping down every wall to discover this beauty beside and inside of me…this stalwart tree, ever-growing slowly, gracefully upward, as I have stretched out, spreading arms that reach out to embrace the sun, eager to get there.”

These words made up a letter addressed to MAGIC itself, and to a dear friend of mine, a past partner. After all, isn’t magic in both—inside ourselves and in relationship?  While today is a different time, and magic may be too general a word to apply to my present moment here with my ailing father—I’ve been reflecting on what it must be like for him to soon embark on what may be a potentially “magical” journey into the afterlife.

My father has always been quite the scientist, carefully reflecting on the reasonable, proven aspects of life. I wonder now, when he’s in tremendous pain, and asks us to help him die, whether he has a sense of where he’s going (if anywhere at all).

Some years back, after he and I had visited my Argentinean cousin, Carmen, who was extremely frail and dying from a brain tumor, he confessed to me, in his apartment living room, that the idea of death really scared him. It was clear then, as now, that he was reflecting on his own death.

Last night, I sat with what it would be like to have no imagined sense (or a very existential one) of what we call the afterlife. I’ve always had a strong feeling of spirit, or what life without a body would be like. If anything, I’ve found it much more natural and real to be with the world of spirit than body. But for my father, who prided himself of being very athletic and intelligent, and having 5d0235715e06de38848b7e112c1f3ec8the independence and strength to control his destiny, death may be a different kind of beast for him to face.

If it’s true what a friend of mine once said—that, after death, people see and experience that which they believed to be true in this lifetime…that our beliefs dictate what’s next…or at least for the first part of our journey—then I wondered what current beliefs were dictating my father’s sense of what awaits him. Is the pain I see him going through, both physical and emotional, a part of his battle between his current beliefs and what is to come? Does it have to be this painful leaving this earthly plane as we prepare to shift as the caterpillar does into the butterfly?

As I sat at my father’s bedside one evening, I asked his mother’s spirit, our shared ancestors, and angelic beings to visit him in his sleep to give him a glimpse of what’s possibly next. Then, a beautiful imagine came to mind. My father has always been an adventurous soul, I thought, and he had always said he would have been a “gaucho”, an Argentinean cowboy, if he hadn’t taken a more practical route in life. So, then, why can’t he ride off like a gaucho into the vast grasslands, las Pampas de Argentina, when it’s his time, and begin his adventure beyond his body as one of the greatest freedom he has ever known?

With that, I smiled, and he fell asleep.

*My novel, Child of Duende: A Journey of the Spirit, is a story of spirit and coming home. Check it out on Amazon: Amazon Link or at www.michelleadam.net. Also, I’ve created a short new video on duende, the spirit of the earth, and on my novel. Check it out: YouTube Video