59. Springtime Without You

BLOG 59—March, 2000: I’m sharing a poem from many springs ago, as I prepare for this spring’s surprises…a grieving of the old…a rebirth:

Spring locks her jaws into the hard earth,

a pitter patter of rain seeking refuge inside.

The windows shut, now open,

the moon peers through rows of empty branches,

Seeing something I don’t—

tulips growing light green stems below the soil,

pink horizons yet to appear over cool blue oceans

transformed by summer lights.

The wolf is a shadow that lingers three steps behind.

I turn to witness that all along I’ve not been alone.

I turn inward, see myself in her shadow.

Sleep in the shadow, rise in the light.

I have seen your love somewhere in this winter night.

Rise with the daffodil, yellow mind,

Springing days of sweet herein,

I see her—that is, springtime—coming.

In about a week, I return to Buenos Aires, to be in mye99b26d974466ec2594813bb5fb281e7 father’s apartment, to let the memories of our times together seep through the walls, and along the streets of this port city. It’s springtime here again—that time of the year I used to spend with my father in Argentina, his childhood home. It was two springtime’s ago I was there, and, I think, two years before that—as the days lengthened here in the north, but inside the shadow of spring, prepared for winter in the southern hemisphere.

I still remember the first time I spent with my father, just he and I, in his beloved Buenos Aires. He had never visited the port city in May, because he would normally be with his Portuguese friends playing golf then.  He had only come to Argentina because I had requested we share time together in his favorite city.

I still remember now, how, as we traipsed around Buenos Aires, he’d often tell me that they missed him there in Portugal, and that one friend had said—and I paraphrase—“The spring flowers don’t bloom the same without you here.”

He repeated those same words back to me, after I had returned to the U.S.. I was driving through the big open lands here in the desert, on my way to a Lakota Sundance, when he called and said, “The spring flowers don’t bloom the same without you here.”

This morning, as I sat still with the reality that I will soon be in Argentina again, in my father’s apartment, but without him, I began to cry. He left us several months back, but it hadn’t really hit me fully until now. I 9629058698ceb27fa8bf177e5d8b15c8.jpghad been with him for many weeks, until the end, in my parent’s home in New Jersey, but I hadn’t slowed down enough to let the grief catch up with me. Maybe I’ve been holding the grief in my lungs, which have been congested for weeks now, and am finally feeling the reality of my father’s loss.

As I reflect on the fact that I’ll be back in Argentina soon, but without my father there, I feel his words echo in my mind. “The spring flowers don’t bloom the same without you here.” But this time, it’s me saying these words to him, as I feel the love that he shared with me and so many others close to him in Buenos Aires.

“Spring time won’t be the same without you there, papá, but I’ll feel your love wherever I go.”   

If you are in Buenos Aires on May 26 at 5:30p.m., please join me (and if you can’t make it, please tell friends who can come) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top carrier of books in English in Buenos Aires. (See my website’s events page for more information: http://www.michelleadam.net/events)

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

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53. Hunger Sleeps Sweet Ashes in my Chest

BLOG 53: June, 1999—Imagine yourself stuck, with little capacity to move, with nowhere to go, nothing to accomplish. Just you. Alone. Would you be able to be still? Would you be still enough inside to feel your spiritual hunger?

Almost twenty years ago, while living in my parents’ home in New Jersey, that was my story. But being still enough to hear my own longing was anything but easy. I struggled to walk, but slowing down inside, being still, remained an immense challenge.

“I hear a voice on the radio in the other room, the sound of a busy world. It distracts me. It makes it hard to hear my hunger. It numbs my existence once more, and builds within me a hunger that so often reappears in extremes, in grand desires to escape the chaos and find a place of stillness to hear myself,” I wrote in my new journal I had just dedicated to hunger itself. “This is the modern world after all. This is the challenge we all face in hearing and addressing our hunger. What once was with us every day as a joyful hunger or longing has become a kind of ravaging ghost that you and I don’t know how to see, yet we feel it grab at us, tease us, make us restless.”

Back then, hunger was a kind of longing for what I couldn’t have in the moment no matter what I did. I wrote, “I can address my hunger by relocating, in my mind, the places where hunger was most awake, most present, and in ways, sweetly: the fields in Spain, the long b6cc3f020432ec5efd545b633828c5b9waiting for God to appear, for a voice to speak to me before a magnificent landscape; driving west out into desert, wide-open skies; or more magnificently, standing on the mountains, the Sandias, watching the bright white clouds, like cotton balls, spreading their wings throughout the entire stone and tree landscape; or driving, driving along the roads of New Mexico, chasing the clouds, with pinks, blues, oranges, purples, tormenting the skies with a surreal godliness that I longed to reach, to hold onto, in my most humble way, by driving, driving, and not slowing down.”

Then, when I found moments to be still enough to feel my hunger, to hear the words that wrote stories into my novel, I traveled inward to faraway lands. “Hunger, she sleeps sweet ashes in my chest, a silence longing for itself,” I wrote the lines of a brief poem. “I hear her stumbling sounds in my heart. I listen and I write.”

With nowhere to go, I wrote, and I allowed words to be my meditation. It’s no different today, as I sit here sharing my reflections of past and present. After a week of moving too quickly for my soul’s pace, and prior, with a month’s time with m1e98d8e0a905478eea6d6f086bf020b7y family and father before his passing, I cherish coming back to this page. Back to you: stillness and hunger.

When I was crippled by pain, my time of
forced meditation—of writing my novel and discovering the story inside “the remotest mansions of my blood”—was a blessing of sorts. I lived inside a cage that required the inside come out. But, now, as I share my novel, travel to be with family, and juggle teaching, writing, and bringing my art into the world, there seems so little time for slowing down. The hunger remains, but its more subtle, less drastic. The hunger is for the quiet, for the listening inside, for a place of presence that can’t be found in all the running around.

It’s found here, though, as I write, as I watch the moon rise, as I let the sound of all this technology, all this doing, be taken over by bird song crawling along the vines in front of my New Mexico home. The song has always been here. The moon, she has always been here lighting the night sky. Yet I am the one who has changed.  In making time, as once I was forced to do, to feel into this stillness that carries my hunger, I can find my way back to me, to all that I has always waited for us inside this presence.

*My novel, Child of Duende: A Journey of the Spirit, is a story of following this hunger home. Check it out on Amazon: Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video