Confessions: A Night of Creative Awakening and a Writing Offering

10/28/2017: I have a confession: yes, I love the night. I really do. (I will return to regular blog shortly) 

Although I adore the sun, I love when his golden light fades into the sunset and modernity’s fierce flame of urgency disappears. Yes, this flame disappears and the feminine darkness invites me into her subtle, soft, creative juices, where I bathe for hours, like a rebel against the insanity of today’s world.

No one is watching when I light a candle of my own inside this dim, but potent night. She reveals to me a restless urge inside, a longing to return to source, and be the creative life-song that comes from within. I sow the seeds that require darkness and the spirits of the night to begin germination inside my belly. I listen to my dreams, to the unraveling

Painting by my ancestor, Frida Kraemer, wife of one of many family artists. I love the sense of freedom of this painting.  

of my consciousness, to places inside, of barbed wire pressing against my heart, my wings. I discover what I must do to untangle this mess we’ve been taught to be, and make way for a new dawn of love, of being the creator of our own destiny.

This morning, I let the sun dance in the sky as I stayed with my dreams, easing my way into daylight. No rush. Nothing to prove as I used to do years ago. I am free. We are free. We can all be free in ways we’ve long forgotten.

Writing has been a path toward this freedom for me, a place of deep meditation with my soul’s longing. I imagine it has also been from my dear author friend and children’s book writer, Burt Kempner, who will be traveling from Florida to here, New Mexico, to offer with me a Shamanic Writing Workshop on Saturday, November 4th, from 2-4:45p.m. at Tortuga Gallery. This is a unique chanceWriting Class with Burt.jpg (1) for Burt and I to work together and offer this journey of the soul and a taste of that freedom I speak of.

If you are in Albuquerque, New Mexico, next Saturday, November 4th, please join us. This may be a one-time offering with Burt, who comes with such an immense heart of the imagination and award-winning talent as a children’s book author and television producer (he has produced shows on PBS, Discovery, History Channel, and CNBC). I also bring with me my own experience leading healing circles and classes, and Flamenco performances with my novel, Child of Duende: A Journey of the Spirit, here in New Mexico and in Washington State, California, and Argentina.

In this almost-three-hour workshop, Burt and I will take you on a journey to awaken your soul’s voice through writing, and help you discover, explore, and write the voices and matrix of ourselves and all of life–the animals, wind, water–that coexist with us on this earth. Our intention is to invite you to experience writing as a process of connecting to the life within and all around us in a shared, rich manner.

My heart is tender, my wings soft, in my offer to join us, Burt Kempner and I, next Saturday. I am honored to share this place of surrender, of the feminine creative force that awakens within us in the night, in the dark, in the stillness that carries our longing for another way. I feel we have all been so busy, running around, doing “life” in this modern, insane way, and I so I look forward to time inward, together, exploring who we really are.

Upcoming Shamanic Writing Workshop information: at 2-4:45 p.m., Saturday, Nov. 4, 2017, at Tortuga Gallery, 901 Edith Blvd., SE, Albuquerque, NM 87012 (Park on Pacific Ave.). No writing experience needed. $30.00. RSVP at writeaway@hotmail.com or 505 923 0649 or at Facebook event page ( Facebook Shamanic Writing Event Page )

Also, for more information on My Novel, Child of Duende: A Journey of the Spirit, see my Amazon Page  or  www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

 

 

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72. Vulnerable in a Red Dress

BLOG 72: (present reflections tied to July 2000 journal entries about my healing and novel-writing journey)—When we set out to heal something, deeply, fully, we can never—I mean, never—know what energies, what buried memories, reside in our unconscious, beneath layers upon layers of skin. Shed that skin is all we can do, and is all I could do, back at the New England farmhouse in the summer of 2000.

As I read through journals of those times, I am amazed at what I wrote and experienced. So full, so unedited, so raw and real, with a deep listening that reveals only that which I was ready to feel and hear at the time. Week after week, I went to my shamanic and energy healing sessions, and each time a new layer of skin peeled off to reveal what was next. Patience, listening, being with the earth, being still to feel the thunder that broke under layers of walls protecting my heart for so long. From moments of euphoria and awakening to fear and grief, it was all there as I healed.

I had a friend recently ask me, “When you see these difficult parts that show up, what do you do?” I answered, “nothing.” The old ways of fighting, cutting out the old, discarding it, ignoring it because it doesn’t serve our present world view or longing didn’t work for me back when I healed the worst part of my hip pain. What healed me, was being with it all—all the thund651cec7d0b2bc5cb0d2fba1f6153483eer, pain, and fear—becoming the nurturing mother that holds her child when he or she is in pain.

No judgment, just being with what is, with what resides in our psyche, our bodies that could be of this lifetime, or another, or some energy that maybe, just maybe, comes from the earth, from a collective psyche, working its pain through us. What matters is that we feel it, be with it, hold it, honor that this is what our being, at the deepest level, is trying to show us so we are no longer the fear that locks us down…so we are no longer a prisoner of the very cage we once created to protect us so long ago.

As I read through my journal, I come across an entry of a story I wrote from something I had dreamed, from a fright I held in my body. Why this fright was there, and where it originally came from, I can’t say. But it was there, strong, in my dreams. So I wrote out this fright as a story, so I could be with it and honor what my body spoke as I healed on the farm that summer of 2000. Maybe my story, and my willingness to share this, will inspire you, the reader, to be with your own dreams, experiences, or feelings with no judgment . .. just love.

Here’s a bit of my story, told through my dreams and body:

“There’s a young girl, no older than three, crowded into a corner of a room. It is dark. The only light on is the one in the kitchen, which casts a shadow over the backyard. But this room is bare of light. The girl hovers, holding herself, whispering a cry for help that she knows no one will hear, that she hopes no one will hear, but which soothes her for a moment into believing she is not alone.

“The door closes. There is a figure of a shadow walking toward her as she covers her body with her arms—all wrapped around her, hopelessly looking for a way out. The c14af69c7515c8d9fced9cbfaf37574fwalls appear to narrow in as this man approaches. The man is the wall narrowing in. There is nowhere to hide. Make herself invisible is what she tries to do in her mind’s eye. If she works at it hard enough this man won’t see her, she convinces herself for a few moments. Yet he narrows in.

“Her body screams out, why, why me? It screams and screams, but she’s in no position to do anything about it. The screaming is a trembling, a question that moves through her, that one day will need to be answered. . .

“. . .Years later, she dances with this same man. And there she is, wearing this red dress and heals and knowing she needs to let her hair down, that she needs to give her female self a chance to show up. But it must have made her feel too vulnerable that day, with the dance and the dream. Something was trying to show its face, something she had never expected.”

My Novel, Child of Duende: A Journey of the Spirit, is about freeing ourselves from the prison walls we’ve created to protect ourselves. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

68. Shedding my Skin

BLOG 68: July, 2000—A month of swimming, sharing dinners, of poetry, prose, and rich dreams, had passed at Jean’s New Hampshire farmhouse.  During this time of healing, the rituals and practices remained the same. Every week, I visited Denise, my Reiki energy healer, and every morning, especially after sessions with her, I tracked my dreams in my journal. The day after each healing session, I’d feel extremely tender and weak, with my nervous system so intensely heightened that I could feel any subtle changes within me and all around me.

Those mornings I would move slowly, and always—without fail—sit on the earth, in the garden, weeding or tending to the vegetables and plants. The earth soothed me, as I let myself sink into her broad arms, and feel her rich soil sift through my hands. Then, after a day of gentle healing, I continued my walks in the woods, bowing to the trees, listening to my heart, feeling her blocks, her resistance to the beauty around, as I opened, opened, and let myself truly feel for the first time in my adult life. And each week, I walked more, further, as my heart and hips opened.

At thirty years old, I had already experienced almost four years of pain, which ha1239e65497ccec8478b425560ef538d5d brought me to this place, and I was ready for the change that awaited me. So, when nights arrived, and I visited the world of the unconscious, I invited the layers of my unfamiliar self to rise toward my skin, to show me what lay behind the tightness of my body’s pain. And with every energy healing session, I unwound more layers of pain.

The dreams were many. During one, I literally shit out a snake (seems the most direct way to say this!), and was guided to make sure it fully left my body. In the shamanic world, the snake carries a lot of symbolism, especially that of being able to shed its skin and release the past. I took my dream to be about that—about letting go. After that dream, I felt a surge of energy I had never felt before in my tailbone, and after others and intense healing sessions, I woke with tremendous energy in my pelvis, with great sexual energy moving down my legs and into my feet, and up toward my heart.

With all that was happening to me, and fun days with Jean and her family on the farm, it was ironic that one of my greatest fears was feeling empty. As I s891d6d99f266bad7a7b3c16257939e60at still, meditated, and was honest with my feelings, I realized that I had spent so many years fighting, so often struggling or battling hard to be someone, to prove myself, to protect myself from all that had hurt me, that in the end I was most afraid of being empty. I had come to identify myself as the pain, struggle, and fight I had so long lived, that I feared, as I let go of all these layers in my body, I would be left with no center, no I.

Even back then, as I wrote about this, I knew that this “I” that I had become accustomed to was my ego, was the person I had learned to be… not the one I truly was. Living on the farm and being with the earth in all her nurturing love, helped me let go of this old self, this pained way, and make room for a gentler, more giving self. As a friend had once said after undergoing a shamanic journey on behalf of my hip: this journey of pain was about learning to be my gentler self, of not needing to push forward with a scorching, yet unattended fire in the pelvis…to be this gentle love that I was, and yet had left behind, years ago, as a child in the fields of Spain. 

My Novel, Child of Duende: A Journey of the Spirit, is about shedding our skin and returning to a gentler place connected to the earth. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

      

67. From Poetry to Manic Mowing

Recent photos by Emily Kefferstan, 2017

BLOG 67: June, 2000—They met every Monday morning under the shade tree at Skimmilk Farm, Jean’s summer farmhouse in rustic New Hampshire. Dusting the old house, keeping it clean from summers of fun, was less important than Monday mornings when this serious group of poets gathered to muse over mist-covered mornings, cats, Celtic Goddesses, Vulvas, and many more themes that released their aroma into the shade tree.

When Emily, Jean’s 13-year-old granddaughter, didn’t join the poets, I was the youngest there by far, and the only one with a novel. I shared my chapters of my manuscript, Child of Duende, inviting this group, which had met like this for 25 years, to travel with me to Southern Spain, to the coast, where my character Duende was born and raised. For some of the poets, my novel brought them back to earlier days when a Boston Columnist used to write about Duende, this word that the great Spanish Poet Federico Garcia Lorca had described as a magical spirit of the earth from which all life and art arises.

Poetry Mondays were a long-held sacred ritual for Jean and her poets. But the weekends offered a different kind of attraction of sorts. That was when Jean’s other family members, like her simage2on, John, and daughter-in-law, Cassie—Emily’s divorced parents—arrived at the farm to celebrate farm life and help Jean maintain the place. That’s when they’d drive the lawn mower tractor over acres of land; clean out the pool; weed the expansive garden; and just take care of anything that needed caring for.  And after all the chores—or during that time—we’d all take a dip in the pool, relax, and then make elaborate meals from all the fresh vegetables of the garden.

On one of those summer weekends—which I will never forget—Cassie decided to get on the tractor and mow as much lawn as she could as quickly as she could. She could get rather manic, to say the least, and this day was no exception. She got on that tractor right by the nice, clean pool, started it in high gear, and didn’t seem to figure out how to slow it down. Cassie smiled broadly while holding onto the tractor with all of her might as it ran circles around the pool, cutting every blade of grass in sight, tossing them all into the pool. Soon, the pool was filled with fresh green blades, with me yelling for Cassie to stop, and her oblivious of what was happening around her as she continued riding circles on her new toy.

While that was a humorous moment with Cassie, there were others that were harder to bear. Her energy could be extremely invasive and exhausting, and I still remember nights in which I struggled with sleep because of this. She could feel so unsafe to be around, and especially given I was very sensitive to other people’s energies in those days. I was already scared to fall asleep, to drop into frightening dreams—or more clearly nightmares—as I had done nights before, and now there was Cassie to contend with.

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During one of my dreams, in which I allowed myself to sink deeper, I dreamt of my parents. In my dream, my mother kept asking me to sweep things up with the same broom that my father had used to attack me or put me down. It seemed I was asked to be with my father’s abuse while my mother tried to sweep things away, ignoring what was happening in front of her.

When I reflected on my dream, I felt I was being shown a pattern that I had carried within me for a long time—a pattern of accepting abuse, and also cleaning it up and taking care of everyone else but me, just so all could be well. It was as if my weekly energy healing sessions and Cassie’s manic ways had awoken in me an unhealthy dynamic I had grown up with and was ready to release.

My dreams, and at times, frightening evenings, and fun-filled days on the farm, seemed to all blend together to help me see myself, and to offer change—change in my aching hips and pelvis, change in my heart, and change on my soul’s path.

That summer was a summer of extremes—of being with the extremes I carried within me and those I saw around me, and learning to establish new boundaries and ways of caring for myself in loving, healthy ways. I had arrived on the farm ready to heal, ready to truly walk again, and now I was beginning to awaken to the path I would eventually take—the path of a teacher, writer, and healer who would one day help others heal as I had learned to do that summer and beyond.

My Novel, Child of Duende: A Journey of the Spirit, is about nature spirits, Flamenco, and Southern Spain, and returning to a place of renewed hope and joy. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

66. A Portal to Wholeness

BLOG 66: June, 2000—We’ve all traveled through portals to become whole at some point in our lives. Or so it seems, or seemed, during the summer of 2000, when I lived with Jean and her family on her New Hampshire farm, where I had committed a season to healing my hip.

When I refer to portals, I mean rites of passage, or some experience, often immensely challenging and horrific, which forces us to come face to face with our often unconscious fears. In making it through this rite of passage, we shed layers of all we are not, and make room for a new kind of freedom.

While this is what much of my life was about for five-plus years struggling to walk, one specific rite of passage occurred on a farm night in late June, after I had received one of various Reiki energy healing sessions. That night, when I had gone to bed, I couldn’t relax—let alone fall asleep—without being jolted awake by an overwhelming anxiety and fright residing in my hips and pelvis (in the area that I had originally injured while dancing years before).

When I finally fell asleep, it was to bird song and sunrise, and cars driving along the old New England road that lay several feet away from my second-story window. That’s when my nightmare began, revealing what was behind the fright I held in my pelvis.

When I sunk into deep sleep that early morning, I fell into an unsafe space. I was on guard, trying to protect myself, when a man approached me, and began to rape me from behind. I screamed and attempted to coax him away, to no avail. He continued and I screamed, until, sometime later, I was surrounded by a group of bearded men from India who,unlike the first man, were sitting there, encircling me in protection and support. They were angels of sorts.

What was unusual about this nightmare a6b9e50bcb78c75787aaa46519fc70a4is that it didn’t feel like a dream. My entire body experienced the trauma and fright, as if it were occurring in that very room I was in. There was no distinction whatsoever between reality and dream, and my body relived a trauma I had never experienced—or, at least, not in this lifetime. Yet it was real, as real as the pain I had lived in my hips. 

It seemed the nightmare lasted for two or more days, although it was only for three to four hours. It was as if I were hallucinating or on a really bad drug trip. Toward the end of it, though, the building I was in began to collapse—its roof falling down upon me, and with it, hundreds of heavy stones, typical of medieval European monasteries. One of the bearded men surrounding me quickly rushed to my rescue, and, within seconds of a massive stone falling upon me, he pulled me out of the way toward safety.

I abruptly woke up. It must have been one o’clock by the time I sat up in bed, amazed to be alive. I would have died if it had not been for that one man who had saved my life. I was immensely grateful that I had made it to another day. To have been able to live through such a trauma in my body, and to make it to the other side, felt like I had survived one of the most challenging initiations ever. It was as if I had faced my own death and those hidden fears that had debilitated me for far too long.

To add to it, years later, when I was able to walk extensively, yet struggled with pain in my hips, an intuitive (psychic) woman recounted back to me the very nightmare I had 46eb48f3116fa6000c6f6e191f11997elived. This woman, Jodie Foster (no, she was not the actress!), told me that my hip pain had been connected to a past life, and went on to describe an incident of that lifetime that, detail by detail, mirrored my dream. I had been a 17-year-old girl living in southern France, she later said, and I had been raped inside a monastery before dying.

I share this story today because that nightmare in late June of 2000 was one of several I experienced as I received energy healing, and slowly healed my hip. I had never expected energy healing to be so powerful—to open up my body’s consciousness, and help me awaken and release layers of pain that held back my life.

It was remarkable to have traveled through a portal, an initiation of sorts, in which invisible realities dictating my life and my path became visible. In doing so, my sense of what was real and possible in this world of healing and living expanded greatly so I could become a more conscious human being. I had made it through a nightmare, through a journey to other worlds inside me, so I could come home and be whole.

My Novel, Child of Duende: A Journey of the Spirit, is about traveling through our nightmares to a place of renewed hope and joy. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube 

 

65. From Feast to Nightmare

BLOG 65: June, 2000—The sounds of crickets and bullfrogs filled in the silence of the encroaching night as we sat at the long dining room table of the old New England farmhouse, singing musical show tunes. It was no ordinary evening. My elder poet housemate, Jean, and her son John, her granddaughter Emily, and Emily’s mom, Cassie, (and maybe Jean’s other son, Larry, and some girlfriend, as far I can remember!) and I were all enjoying a great feast with a bottle of homemade and homegrown strawberry rhubarb wine gifted to me by the family who had hosted the shamanic workshop I had translated for.

One average-sized bottle of this extraordinary potion shared among us was enough to convert us into musical magicians (or at least we thought we were) and unstoppable storytelling and laughter. We took our turns marveling at this wine bottle and its light rose substance inside. Was it possible that so little amount could be so magical? Maybe the nature spirits, the duendes, of our New England mountainside were responsible for having infused every cell of those fermented strawberries and rhubarb patches with immense joy and lightness that lifted our spirits into the night.

Any concerns or stress we may have brought with us to the farmhouse—whether Jean’s loss of her husband, or my aching body and all the uncertainties of my new summer on the farm, or work stresses for those who had arrived here from Boston or New York—flew out the window on nature’s wings. Even Emily and her 13-year-old teenage angst and attitude disappeared inside the laughter and song of my new-found summer family.

Although great feasts and wine became an integral part of my summer on the farm, I continued, like clockwork, visiting Denise, who performed Reiki energy work and shamanic healing on me every week. We focused on healing the pain in my hip, sacrum, and groin that had become debilitating.

After every session, I went back to the farmhouse, altered and exhausted. I tried to go to bed early and fall into a deep, deep sleep that often lingered into early afternoon or later. Then, in a slumber of weakness and altered consciousness, I meditated and sat for hours on the earth, in the garden, sifting earth through my fingers while tending to the sprouting vegetable and herb seedlings.

I will never forget one of those post-Reiki nights of healing that took me on a journey unlike any I had ever experienced. That night, in late June, I couldn’t sleep. My stomach became agitated, my entire sacrum and pelvis throbbed in fear, cd71d209e7ea69f884080638e259c8b8and every little noise seemed to trigger a deep physical response. At one point, as my mind began to drift slightly, I screamed. I screamed out a heightened fright that suddenly gripped my body. I felt as if someone were about to attack me as an unfamiliar reality surfaced from deep within me, taking over any other reality that existed around me.

Feeling intensely frightened, I sat up and focused on grounding myself like a tree into the earth. But when I closed my eyes to imagine this, I merely felt unsafe, cut off from the earth and any sense of security. I lay back down, and called upon an animal ally (something I had been taught to do in my shamanic training). I asked this animal ally to lie between my legs, protecting my groin and pelvis, which, had become very agitated. 

For anyone reading this, it may seem an odd explanation of an experience that was akin to a bad drug trip or post traumatic stress. But, I had already spent almost four years, to no avail, attempting to heal from my groin pull. I had worked with almost every type of healing modality, including conventional Western medicine, but had never experienced Reiki, which is a kind of energy healing. The impact of this healing surprised me, and went deeper that anything I had tried before. It seemed to begin to move the energy, the life force, which had existed in areas where hardened, endless pain had lived for too long. When this occurred, a deeper reality that resided inside the pain, revealed itself at night, when my inhibitions where low, when that part residing in the unconscious folds of our being comes to the surface to be seen and heard.      

That night of many moons ago, I allowed for my animal guide, a spirit protector, if you will, to protect me from the fright that resided inside me. I gradually fell asleep, but only after moments of drifting off and then suddenly waking to the sound of cars driving by or any other noise that felt like an immense shock through me. Imagine yourself there, your nervous system so sensitive, so heightened to everything, that every noise, every movement around you, jolts you awake. b436871e6116bf8f6cf1672fa1414b92That’s where I remained all night, until the birds began to chirp outside my window, and all of me drifted into a sleep that would be so much more than sleep…that would be a nightmare, to be exact.

The nightmare that followed would offer me one important key to the door of my summer’s healing. But, I will spare the reader this story until my next blog. For now, I can say that there are nightmare’s that are worth having, every bit of them, especially if, in having them, there’s peace and healing on the other side.

The summer on the farm offered me these extremes—feasts of immense celebration and laughter, and nightmares, that, like an initiation through our greatest fear and fright, ultimately offer another life, another way, filled with immense, hope, love, and joy. I would not have changed any of it, for all of it was necessary to have arrived at this place today, this place of gratitude and grace.

My Novel, Child of Duende: A Journey of the Spirit, is about traveling through our nightmares to a place of renewed hope and joy. It’s available on Amazon at Amazon Page  or at www.michelleadam.net. It can be ordered at a local bookstore as well. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video

Sharing Duende in Buenos Aires

5/21/2017: Soon I will be in Buenos Aires, my father’s childhood city, and one in which I will share my novel, Child of Duende: A Journey of the Spirit, at Kel Ediciones in Belgrano, Buenos Aires, on May 26, 5:30p.m. What an honor! I will take time off of my regular blog for a few weeks, but please share news of this event with friends in Buenos Aires who may be inspired to share a moment with my novel, Flamenco guitar, and DUENDE, a word brought alive in this port city by a great Spanish Poet Federico GarciaLorca more than 80 years ago. 

Here’s a little excerpt of my talk to Flamenco Guitar: 

“It was October of 1933 when a large Italian Passenger Liner landed here, in the Port of Buenos Aires. That day, one of the most important Generation of ’27 Spanish poets—Federico Garcia Lorca—arrived in Buenos Aires, where he fell in love with its streets and people and remained for six months…much longer than he had planned.

Federico Garcia Lorca was no ordinary poet. He was one from Granada, from Southern Spain, where the Gypsy culture, Flamenco dance and music, and the spirit of the land would forever claim him—that is, until he was killed by Spain’s fascists in 1936.  Lorca knew, unlike many artists, what it meant to truly be creative, to instantaneously confront both the present and death itself rather than to be tied to the musings of the past.”

So when he came to Buenos Aires to premiere his play, Blood Wedding, he also offered an unforgettable speech, The Play and Theory of the Duende, that would forever leave its imprint on the world… and, years later, would inspire my novel, Child of Duende: A Journey of the Spirit, which I bring to you today. I come here from New Mexico to walk these streets that Garcia Lorca once walked, and that my father, Alberto Adam, also traversed as an adult and child growing up in Buenos Aires. I honor both men today, as I bring to you my story, my novel, Child of Duende: A Journey of the Spirit, and “duende,” this essence that Lorca carried with him from Spain 84 years ago.”  

In Lorca’s speech, he said, “In Andalucía (Southern Spain), the people constantly talk of the duende,” explaining that all that has black sounds has duende, since these black sounds are the mystery, the roots fastened in the mire that we all know and all ignore, the fertile silt that gives us the very substance of art. He went on to describe a guitarist as saying that “The duende is not in the throat: the duende surges up, inside, from the soles of the feet.” Meaning, it’s not a question of skill, but of a style that’s truly alive: meaning, it’s in the veins: meaning, it’s of the most ancient culture of immediate creation.” 

“Duende”, Lorca added, is a “mysterious force that everyone3f52c657f037f47efd369cc5dd7af233.jpg feels and no philosopher has explained” that is “in sum, the spirit of the earth.”… the spirit of the earth, which, in moving through every limb of our being, unencumbered and raw, produces an almost religious enthusiasm.  It’s that spirit that an artist embodies when singing so profoundly and truthfully, with clear channel, that we are left with goose bumps, and sighs. Unlike the muse and angel, this spirit must come from within, and must be “awakened in the remotest mansions of the blood,” and ONLY once having done so, then, “announces the constant baptism of newly created things.”

The duende is what we hear in the llanto, the cry out, el cante hondo, the deep song of Flamenco, which has remained with us during our brief, but intense human history. Just travel along the threads of an ancient Gypsy culture to experience this. These nomadic, song-wielding, magic-making people, who arrived in Spain from India, still carry the essence of song they brought with them from the orient, of the Ragas, of indigenous chanting, a kind of prayer that keeps that sweet dialogue between the unseen and seen world alive, honoring the holy and sacred part of being human.”

This song of Gypsy wove its fabric into Spain’s Arabic, Jewish, and Catholic roots—even as Fernando and Isabel of Spain set out to explore the Americas and enacted the Inquisition, which kicked out, killed, and tortured Jews, Arab, Gypsies, and non-Christians in Spain. Many Gypsies fled to the mountains, and it was here that they kept their traditions alive. Maybe—as with the negro spirituals, the Blues, and Native American chants, and so many deeply soulful songs—it is this very persecution, these dark times, that help create this ancient sound of longing that rises more fiercely and fully from the depths of our being than ever before, and reminds of our most profound connections.”

Can you hear the depth of this LLANTO, this “song of the earth,” this most life-affirming voice of the soul that never quits? Maybe if you listen closely, you can, as you also hear the poet’s voice… carrying a plaintive solitary cry belonging to an Andalusian Soul …of Gypsy, Arab and Jew…of indigenous roots untangling, struggling to surface to engage in the most challenging, yet rich work of our life—that of fully inhabiting ourselves.”

Please join me this May 26 at 5:30p.m. in Buenos Aires (and if you can’t make it, please let friends who can come know) to celebrate storytelling, Flamenco guitar, Garcia Lorca, and my father, Alberto Adam. It’s at Kel Ediciones, Conde 1990, 1428 , Buenos Aires, Belgrano, 54  11 4555 4005,  kelediciones.com, a top carrier of books in English in Buenos Aires. 

My Novel, Child of Duende: A Journey of the Spirit, is also available on Amazon at Amazon Page  or at www.michelleadam.net. Also, watch a brief video on “duende”, “the spirit of the earth”: YouTube Video